Matteo Pagano, 1563
Step back to 16th-century Venice with this woodcut by Matteo Pagano, a page from a pattern book that guided artisans in creating exquisite lace and embroidery designs.
This woodcut, "Trionfo Di Virtu. Libro Novo..., page 16 (verso)," by Matteo Pagano, offers a fascinating glimpse into the world of 16th-century Venetian design and craft. Part of a larger book, likely a pattern book for lace or embroidery, this single page exemplifies Pagano's prolific output in the medium of woodcut. His work, as evidenced by numerous entries in the Met Museum collection, consistently features intricate designs intended to be translated into textiles. Unlike many artists who created standalone prints, Pagano's genius lay in his ability to create practical yet beautiful templates for artisans. This piece, dated 1563, places it firmly within the Renaissance period, a time of flourishing decorative arts. The 'Libro Novo' series, which includes many pages like this one, would have been invaluable resources for noblewomen and professional embroiderers, showcasing the latest fashionable patterns and techniques. It highlights the often-overlooked connection between fine art and functional design, demonstrating how artistic skill was applied to enhance everyday objects and attire.
Intricate geometric patterns
Delicate floral motifs
Repetitive, symmetrical design
Step back to 16th-century Venice with this woodcut by Matteo Pagano, a page from a pattern book that guided artisans in creating exquisite lace and embroidery…
Matteo Pagano, an Italian printmaker, created intricate woodcut designs for lace patterns and other decorative arts in 16th-century Venice.
Read Matteo's full story in Art Whisper