“Stop to admire this 16th-century woodcut, a page from a pattern book that helped spread elegant lace designs across Renaissance Europe, revealing the era's sophisticated taste in textiles and craftsmanship.”
This intricate woodcut, a page from Matteo Pagano's 1563 pattern book "Trionfo Di Virtu. Libro Novo...", presents a delicate, repeating lace design. Meant to inspire embroiderers and textile makers, the pattern unfolds across the page with remarkable precision, a testament to the skill required to carve such fine lines into a woodblock. Look closely at the way the geometric forms interlace, creating a sense of depth and movement despite the two-dimensional medium. These pattern books were crucial tools in the Renaissance, disseminating fashionable designs across Europe and allowing artisans to replicate complex motifs that might otherwise be inaccessible. This particular page offers a glimpse into the aesthetic sensibilities of 16th-century Venice, where Pagano operated, and the high value placed on decorative arts and skilled craftsmanship.
- Artist
- Matteo Pagano
- Date
- 1563
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1937
What to Notice
Four details hide in plain sight. Here’s where to look.

The symmetrical arrangement of the floral elements.
The tiny dots and dashes forming the delicate background mesh.
The way the pattern seems to extend beyond the page's edge.
The subtle variations in line thickness, adding texture.
Stand in front of it and listen
The full narration walks you through Trionfo Di Virtu. Libro Novo..., page 16 (verso) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matteo Pagano
Matteo Pagano, an Italian printmaker, created intricate woodcut designs for lace patterns and other decorative arts in 16th-century Venice.
Further Works by Pagano
Spechio di pensieri delle belle et Virtudiose donne, page 14 (recto)
1546 · The Metropolitan Museum of Art
Ornamento delle belle & virtuose donne, page 6 (recto)
1554 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 11 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 13 (verso)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 15 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 25 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 28 (recto)
1563 · The Metropolitan Museum of Art
Trionfo Di Virtu. Libro Novo..., page 29 (verso)
1563 · The Metropolitan Museum of Art
More works to explore
Beyond Pagano: works from the same years.
Same era · 1540s–1570s
Penitent Magdalene
Titian · 1575
Same era · 1540s–1570s
The Assumption of the Virgin
El Greco · 1577 · Art Institute of Chicago
Same era · 1540s–1570s
The Tower of Babel
Pieter Bruegel the Elder · 1563
Same era · 1540s–1570s
The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob
Workshop of Jan van Tieghem · 1560 · Art Institute of Chicago
Same era · 1540s–1570s
Virgin and Child in a Church, also known as the Van Maelbeke Virgin
Wierix · 1575 · The Metropolitan Museum of Art
Same era · 1540s–1570s
Close Helmet with Falling Buffe
Pompeo della Cesa · 1565 · The Metropolitan Museum of Art
Same era · 1540s–1570s
Winter Landscape with Snowfall near Antwerp
Lucas van Valckenborch · 1575 · Städel Museum
Same era · 1540s–1570s
Virgin and Child with the infant Saint John the Baptist
Matteo Florimi · 1576 · The Metropolitan Museum of Art
