“Step into the 19th-century world of natural history with these hand-colored lithographs of North American mammals. Each page is a testament to meticulous artistry and scientific curiosity, bringing the continent's wildlife to vivid life.”
This volume, part of a larger series, presents a fascinating glimpse into 19th-century American natural history, specifically focusing on the mammals of North America. Each page features a hand-colored lithograph, a meticulous process where an initial black-and-white print was individually painted, bringing a vibrant, lifelike quality to the depicted animals. While the artist is not explicitly named for each illustration, the collective effort aimed to document the continent's diverse wildlife with scientific rigor and artistic flair. The book’s comprehensive scope reflects a period of intense exploration and classification, as naturalists sought to catalog the vast species found in the expanding American frontier. These illustrations served not only as scientific records but also as a means for the general public to visualize creatures that many would never encounter in person, fostering both education and a sense of wonder about the natural world.
- Artist
- James H. Wheldon
- Date
- 1851
- Medium
- Illustrations: hand-colored lithographs
- Location
- The Metropolitan Museum of Art
- Dimensions
- 11 5/16 x 7 7/8 x 2 1/16 in. (28.7 x 20 x 5.2 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Emma Sheafer, 1974
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the delicate hand-coloring on each animal.
Notice the detailed fur textures and anatomical accuracy.
Look for the precise scientific labeling beneath each illustration.
Examine the subtle variations in color application across different prints.
Stand in front of it and listen
The full narration walks you through The Viviparous Quadrupeds of North America, vol. II — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
James H. Wheldon
1830–1895 · United Kingdom of Great Britain and IrelandJames H. Wheldon, a British painter active in the late 19th century, is known for his etching of 'Saint James the Greater'.
Further Works by Wheldon
'Diana' and 'Chase' in the Arctic
1857 · Hull Maritime Museum
Dutch Buss and Man of War
1870 · Hull Maritime Museum
SS 'Burgos'
1871 · Hull Maritime Museum
A Barque Struck by Lightning off Eddystone Lighthouse, Cornwall
Hull Maritime Museum
Hull Whaler 'Abram'
Hull Maritime Museum
Hull Whaler 'Harmony' (after William John Huggins)
Hull Maritime Museum
Ships navigating a busy channel
The 'Diana' in an Ice Dock
Hull Maritime Museum
More works to explore
Beyond Wheldon: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1830s–1860s
Wordsworth Manor
William Hart · 1852
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
