“This photograph offers a glimpse into the majestic, untamed American West, capturing the Spanish Peaks in a way that helped shape public perception of these grand landscapes. It's a powerful early image of a pivotal era in American exploration.”
In this albumen print, the towering, snow-capped Spanish Peaks dominate the distant horizon, framed by the vast, undulating plains of what is now southern Colorado. The foreground is a rugged expanse, textured by scrub and scattered rocks, giving way to a middle ground where the land rises gently, hinting at the challenging terrain traversed by early explorers. The stark contrast of the bright sky against the dark, imposing mountains highlights the raw grandeur of the American West. This photograph captures a moment of discovery and documentation, a testament to the ambitious surveys undertaken to map and understand these then-unfamiliar landscapes. It evokes the feeling of immense scale and the quiet solitude of a wilderness largely untouched by human development, a stark reminder of the continent's untamed beauty.
- Artist
- William Henry Jackson
- Date
- 1866
- Medium
- Albumen print
- Location
- Art Institute of Chicago
- Dimensions
- Image/paper: 25.8 × 34.2 cm (10 3/16 × 13 1/2 in.); Mount: 40.6 × 50.8 cm (16 × 20 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The jagged, snow-dusted peaks against the clear sky.
The subtle variations in texture across the expansive foreground.
The long, deep shadows suggesting the time of day.
The seemingly endless, empty plains leading to the mountains.
William Henry Jackson
1843–1942 · United StatesJackson's Yellowstone photos literally created America's first national park — shot with mules, glass plates, and sheer determination.
Further Works by Jackson
More works to explore
Beyond Jackson: works from the same years.
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
Seashore, Morning
William Hart · 1866 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
The Races at Longchamp
Édouard Manet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant)
Gustave Courbet · 1865 · Art Institute of Chicago
Same era · 1850s–1880s
Mirope Savati Gaye
Mariano Fortuny Marsal · 1865 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1850s–1880s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection


