The Quarry (La Curée) by Gustave Courbet

The Quarry (La Curée)

Gustave Courbet · 1856

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“Stop to see this striking wood engraving of a hunter and his hounds after a kill. It's a powerful example of 19th-century Realism, capturing a gritty, unsentimental moment in nature.”

ABOUT THIS WORK

In this wood engraving, a hunter stands triumphantly over a fallen deer, surrounded by his hounds. The scene depicts the moment of "la curée," or the quarry, where the dogs are rewarded with parts of the kill. The hunter, seen from behind, dominates the foreground, his back turned to us as he gestures towards the carcass. His powerful stance and the eager anticipation of the hounds capture the raw intensity of the hunt. This work, created in 1856, exemplifies the Realism movement, focusing on a direct, unvarnished portrayal of a contemporary scene rather than idealized historical or mythological subjects. The stark contrasts inherent in wood engraving lend a dramatic intensity to the composition, emphasizing the textures of the fur, the folds of the hunter's coat, and the dense foliage of the forest.

DETAILS
Artist
Gustave Courbet
Date
1856
Medium
Wood engraving
Location
The Metropolitan Museum of Art
Dimensions
Image: 7 7/16 × 5 7/8 in. (18.9 × 14.9 cm)
Collection
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1932
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

The Quarry (La Curée)
01

The hunter's hand, holding a horn, gestures towards the dead deer.

02

Notice the varying textures of the dogs' fur, from shaggy to sleek.

03

A small dog in the lower right eagerly waits for its share.

04

The dense, dark forest behind the figures creates a dramatic backdrop.

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THE ARTIST

Gustave Courbet

1819–1877 · France

Gustave Courbet, the defiant leader of the Realism movement, painted only what he could see, rejecting academic norms and Romanticism.

Read Courbet’s full story
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Beyond Courbet and Realism: works from the same years, and from the other movements The Quarry (La Curée) belongs to.

Woman Feeding Chickens Same movement · Naturalism Woman Feeding Chickens Jean-François Millet · 1850 · Art Institute of Chicago The Cottage by the Roadside, Stormy Sky Same era · 1840s–1870s The Cottage by the Roadside, Stormy Sky Léon-Victor Dupré · 1855 · Art Institute of Chicago C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 Same movement · Naturalism C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856 Honoré Daumier · 1856 · The Metropolitan Museum of Art The Backgammon Players Same era · 1840s–1870s The Backgammon Players Philip Webb · 1861 · The Metropolitan Museum of Art Souvenir of Tuscany Same movement · Naturalism Souvenir of Tuscany Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago Peace and Plenty Same era · 1840s–1870s Peace and Plenty William Hart · 1855 · New Britain Museum of American Art The Sheepshearers Same era · 1840s–1870s The Sheepshearers Jean-François Millet · 1857 · Art Institute of Chicago Lion Hunt Same era · 1840s–1870s Lion Hunt Eugène Delacroix · 1858 · Museum of Fine Arts Boston
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