“Stop to see this striking wood engraving of a hunter and his hounds after a kill. It's a powerful example of 19th-century Realism, capturing a gritty, unsentimental moment in nature.”
In this wood engraving, a hunter stands triumphantly over a fallen deer, surrounded by his hounds. The scene depicts the moment of "la curée," or the quarry, where the dogs are rewarded with parts of the kill. The hunter, seen from behind, dominates the foreground, his back turned to us as he gestures towards the carcass. His powerful stance and the eager anticipation of the hounds capture the raw intensity of the hunt. This work, created in 1856, exemplifies the Realism movement, focusing on a direct, unvarnished portrayal of a contemporary scene rather than idealized historical or mythological subjects. The stark contrasts inherent in wood engraving lend a dramatic intensity to the composition, emphasizing the textures of the fur, the folds of the hunter's coat, and the dense foliage of the forest.
- Artist
- Gustave Courbet
- Date
- 1856
- Medium
- Wood engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 7 7/16 × 5 7/8 in. (18.9 × 14.9 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1932
What to Notice
Four details hide in plain sight. Here’s where to look.

The hunter's hand, holding a horn, gestures towards the dead deer.
Notice the varying textures of the dogs' fur, from shaggy to sleek.
A small dog in the lower right eagerly waits for its share.
The dense, dark forest behind the figures creates a dramatic backdrop.
Stand in front of it and listen
The full narration walks you through The Quarry (La Curée) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Gustave Courbet
1819–1877 · FranceGustave Courbet, the defiant leader of the Realism movement, painted only what he could see, rejecting academic norms and Romanticism.
Further Works by Courbet
Portrait of a Woman, Called Héloïse Abélard
1850 · The Metropolitan Museum of Art
Spring Flowers
1855 · The Metropolitan Museum of Art
Monsieur Suisse
1861 · The Metropolitan Museum of Art
Wooded Landscape
1848 · Art Institute of Chicago
Mère Grégoire
1855 · Art Institute of Chicago
The Brook of Les Puits-Noir
1855 · Art Institute of Chicago
Woman in a Riding Habit (L'Amazone)
1856 · Metropolitan Museum of Art
Rêverie (Portrait of Gabrielle Borreau)
1862 · Art Institute of Chicago
More from Realism
More works to explore
Beyond Courbet and Realism: works from the same years, and from the other movements The Quarry (La Curée) belongs to.
Same movement · Naturalism
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same movement · Naturalism
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Honoré Daumier · 1856 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same movement · Naturalism
Souvenir of Tuscany
Jean Baptiste Camille Corot · 1845 · Art Institute of Chicago
Same era · 1840s–1870s
Peace and Plenty
William Hart · 1855 · New Britain Museum of American Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Sea View, Calm Weather (Vue de mer, temps calme)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago



