“This etching vividly illustrates the parable of the Good Samaritan, showcasing a moment of profound compassion amidst a rugged, detailed landscape. It's a powerful example of how art can explore moral lessons through intricate visual storytelling.”
In this etching, the biblical parable of the Good Samaritan unfolds within a dramatic, craggy landscape. The scene centers on the Samaritan, who carefully tends to the wounded traveler, while the priest and the Levite, who had previously passed by, recede into the distance. The detailed rendering of the rocky terrain and the gnarled trees creates a sense of wildness and isolation, emphasizing the vulnerability of the injured man and the Samaritan's compassionate act. This print, executed on ivory laid paper, captures a moment of human kindness set against a world that often appears indifferent, reflecting the Northern Renaissance interest in both moral narratives and intricate natural settings. The artist, Hieronymus Bosch, was known for blending spiritual themes with vivid, often fantastical, imagery, and here, the starkness of the landscape amplifies the gravity of the story.
- Artist
- Hieronymus Bosch
- Medium
- Etching on ivory laid paper
- Location
- Art Institute of Chicago
- Dimensions
- Plate: 23 × 31.3 cm (9 1/16 × 12 3/8 in.); sheet: 27.3 × 37 cm (10 3/4 × 14 5/8 in.)
- Collection
- Prints and Drawings
- Culture
- Netherlands
- Credit line
- Charles Hack and the Hearn Family Trust Collection, purchased with funds provided by the Harry B. and Bessie K. Braude Memorial, Amanda S. Johnson and Marion J. Livingston, anonymous, and Suzanne Searle Dixon endowment funds
What to Notice
Four details hide in plain sight. Here’s where to look.

The Samaritan carefully binding the traveler's wounds.
The priest and Levite disappearing into the background on horseback.
The intricate details of the rocky cliffs and twisted trees.
A small, distant city visible on the horizon line.
Stand in front of it and listen
The full narration walks you through The Good Samaritan, from Landscapes with Biblical and Mythological Scenes — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Hieronymus Bosch
1450–1516 · Northern Low CountriesHieronymus Bosch, a Dutch painter from the Northern Low Countries, filled his oak panels with fantastic illustrations of religious concepts, from the Garden of Eden to macabre depictions of hell.
Further Works by Bosch
The Garden of Paradise
1495 · Art Institute of Chicago
The Conjurer (The Juggler)
1502
The Adoration of the Magi
Noordbrabants Museum
The Last Judgment
1478 · Art Institute of Chicago
Panel
1500 · Art Institute of Chicago
Saint Francis Heals the Grievous Wounds of One John at Lerida, plate two from Woodcuts from Books of the XVI Century
1512 · Art Institute of Chicago
Mercury Lulling to Sleep Argus, from Landscapes with Biblical and Mythological Scenes
Art Institute of Chicago
Mercury with Head of Argus in His Hand, from Landscapes with Biblical and Mythological Scenes
Art Institute of Chicago


