“Witness the dramatic expulsion of Adam and Eve from Paradise, a powerful biblical scene rendered with intense emotion and dynamic movement. This painting was a preliminary study for a grand, uninstalled chapel commission.”
This tumultuous scene plunges us into the dramatic moment of Adam and Eve's expulsion from the Garden of Eden. A powerful, winged angel, cloaked in red, drives the first humans from paradise with a flaming sword, its light catching the angel's determined face and muscular arm. Adam shields his face in despair, while Eve, her body contorted in anguish, reaches back toward the vanishing light of Eden. Their vulnerability is highlighted by the contrast with the angel's divine power, emphasizing the profound consequences of their transgression. This painting was a preparatory sketch for one of several large canvases intended for a chapel in Windsor Castle, a project that occupied the artist for two decades, though the paintings were ultimately never installed. It captures the raw emotion and scale fitting for such a monumental biblical narrative.
- Artist
- William Edward West
- Date
- 1791
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 48.6 × 72.9 cm (19 1/8 × 28 11/16 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- England
- Credit line
- George F. Harding Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The flaming sword held by the angel, its light illuminating the scene.
Adam's hand covering his face in shame and sorrow.
Eve's desperate backward glance toward the disappearing Garden of Eden.
The dark, foreboding landscape into which Adam and Eve are cast.
1 more detail is waiting.
See all 5 in Art Whisper →William Edward West
1788–1857 · United StatesWilliam Edward West, an American portrait painter, captured the likenesses of wealthy families and collaborated with author Washington Irving.
Further Works by West
Queen Philippa at the Battle of Neville's Cross
Art Institute of Chicago
The Death of Procris
Art Institute of Chicago
Misty Mountains
1821 · Art Institute of Chicago
Alexander's Confidence with his Physician Philip
Art Institute of Chicago
The Confessional
1847 · New York Historical
Christ Blessing the Children
Theatrical Leap Frog
1804 · The Metropolitan Museum of Art
Thomas R. Fosdick
1818 · Cincinnati Museum Center at Union Terminal
More works to explore
Beyond West: works from the same years.
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
Andromache Mourning Hector
Jacques-Louis David · 1783 · Pushkin Museum of Fine Arts
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Mrs John Smart I
John Smart of Ipswich · 1785 · Dulwich Picture Gallery
Same era · 1770s–1800s
Mr Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1770s–1800s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
