“This etching captures the legendary "Sheridan's Ride," a pivotal moment in the American Civil War, bringing to life the urgency and heroism of a general rallying his troops.”
In this dramatic etching and engraving, a lone rider charges forward, his horse at a full gallop, across a battle-scarred landscape. The air is thick with smoke and the ground littered with debris, suggesting a recent, intense conflict. The rider, General Philip Sheridan, is depicted in a moment of urgent determination, rallying his troops during the American Civil War. The sense of speed and immediacy is palpable, created by the blurred background and the dynamic pose of both horse and rider. This work, created just a few years after the war's end, captures the heroic narrative of a pivotal moment, transforming a historical event into a powerful visual icon.
- Artist
- Will H. Bradley
- Date
- 1868
- Medium
- Etching and engraving
- Location
- The Metropolitan Museum of Art
- Dimensions
- Image: 13 13/16 × 19 13/16 in. (35.1 × 50.3 cm) Plate: 17 11/16 × 22 13/16 in. (45 × 58 cm) Sheet: 19 1/2 × 23 15/16 in. (49.6 × 60.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1947
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the horse's mane and tail stream backward, emphasizing its speed.
The debris on the ground, hinting at the recent battle.
The general's determined expression as he looks ahead.
The smoke and distant figures in the background, adding to the chaos.
Will H. Bradley
1868–1962 · United StatesAmerica's highest-paid artist of the early 1900s who brought Art Nouveau posters to the masses.
Further Works by Bradley
A Bacchante
Salford Museum and Art Gallery
A Lady in a Plumed Hat
Manchester Art Gallery
Henry Liverseege (1802–1832)
Salford Museum and Art Gallery
John Isherwood
Salford Museum and Art Gallery
Joseph Brotherton (1783–1857), MP
Salford Museum and Art Gallery
Lady with a Dog
Manchester Art Gallery
Portrait of a Seated Woman Sleeping
Potteries Museum & Art Gallery
Sir Thomas Potter
Manchester Town Hall
More works to explore
Beyond Bradley: works from the same years.
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
On the Bank of the Seine, Bennecourt
Claude Monet · 1868 · Art Institute of Chicago
Same era · 1850s–1880s
Patio of the Palace of the Duke of Alba, Seville: Raimundo de Madrazo y Garreta painting
Mariano Fortuny Marsal · 1868 · Hispanic Society of America
Same era · 1850s–1880s
The Valley of Les Puits-Noir
Gustave Courbet · 1868 · Art Institute of Chicago
Same era · 1850s–1880s
Approaching Storm
William Hart · 1867 · Gilcrease Museum
Same era · 1850s–1880s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
In the Auvergne
Jean-François Millet · 1866 · Art Institute of Chicago
Same era · 1850s–1880s
Snow at Louveciennes
Camille Pissarro · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
