“This photograph captures the monumental effort of quarrying granite for the Mormon Temple, revealing the sheer scale of human labor against the vast American West in 1870.”
In this albumen print from 1870, we see a rugged scene of men quarrying granite, likely for the Mormon Temple in Salt Lake City. The photograph captures the immense scale of the task, with figures dwarfed by the massive rock face they are working to extract. Two men in the foreground stand near a large block of stone, their tools suggesting the arduous labor involved in shaping the raw material. The composition emphasizes the raw power of nature alongside human determination, as the distant mountains rise majestically, hinting at the vast, untamed landscape from which this essential building material was sourced. This image offers a window into the industrial efforts that supported westward expansion and the construction of significant architectural landmarks in the American West.
- Artist
- William Henry Jackson
- Date
- 1870
- Medium
- Albumen print, stereo
- Location
- Art Institute of Chicago
- Dimensions
- Each image: 9.4 × 7.6 cm (3 3/4 × 3 in.); Card: 10 × 17.6 cm (3 15/16 × 6 15/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The tiny figures of the workers against the towering rock face.
The rough texture of the granite, showing the challenge of the quarry.
The hand tools and equipment used for breaking and moving stone.
The distant mountain peaks, placing the quarry in a vast landscape.
1 more detail is waiting.
See all 5 in Art Whisper →William Henry Jackson
1843–1942 · United StatesJackson's Yellowstone photos literally created America's first national park — shot with mules, glass plates, and sheer determination.
Further Works by Jackson
More works to explore
Beyond Jackson: works from the same years.
Same era · 1850s–1880s
Cart with Black Ox
Vincent van Gogh · 1884 · Portland Art Museum
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
African Chief
Mariano Fortuny Marsal · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
In the Adirondacks
William Hart · 1870 · Q847508
Same era · 1850s–1880s
Snow at Louveciennes
Camille Pissarro · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Little Shepherdess
Jean-François Millet · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1850s–1880s
Apples
Gustave Courbet · 1871 · National Museum of Western Art


