“Stop to appreciate this 17th-century woodcut, a page from a pattern book for lace and embroidery. It reveals the intricate designs that once guided artisans and elite women in creating fashionable textiles, offering a window into the decorative arts of the era.”
This intricate woodcut, a page from a 1605 pattern book titled "La Pratique de l'Aiguille" (The Practice of the Needle), presents a complex design for lace or embroidery. The central motif features a stylized floral arrangement, with delicate tendrils and blossoms radiating outwards, all contained within a repeating geometric framework. The precision of the lines, despite the limitations of the woodcut medium, suggests the meticulous detail required for the needlework it was meant to inspire. These pattern books were essential resources for artisans and aristocratic women across Europe, providing templates for the elaborate textiles that signified wealth and status. The small scale of the print emphasizes its practical purpose as a guide for hands-on creation, inviting close study of its repeating elements and subtle variations. It offers a glimpse into the domestic arts and fashion of the early 17th century, where such patterns would be translated into tangible, wearable art.
- Artist
- Matthias Mignerak
- Date
- 1605
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1920
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the repeating floral motif at the center of the design.
Notice the delicate, curving lines that form the tendrils and leaves.
Look at the geometric framework that encloses and organizes the pattern.
See how the design repeats seamlessly, suggesting its use for continuous borders.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through La Pratique de l'Aiguille, page 75 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matthias Mignerak
Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.
Further Works by Mignerak
La Pratique de l'Aiguille
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 10 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 11 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 12 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 14 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 15 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 16 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 17 (recto)
1605 · The Metropolitan Museum of Art
More works to explore
Beyond Mignerak: works from the same years.
Same era · 1590s–1620s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1590s–1620s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1590s–1620s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1590s–1620s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1590s–1620s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
