“This woodcut offers a glimpse into the world of 17th-century needlework, providing intricate patterns for embroidery and lace. It's a testament to the era's appreciation for detailed design and the practical application of printmaking.”
On this page from "La Pratique de l'Aiguille" (The Practice of the Needle), a delicate woodcut pattern unfolds, inviting close inspection. A central medallion, shaped like an ornate quatrefoil, anchors the design, its curves outlined with precision. Within this frame, a dense field of floral motifs and swirling tendrils radiates outwards, echoing the intricate lace and embroidery patterns popular in early 17th-century Europe. The symmetrical arrangement, typical of pattern books from this era, would have served as a practical guide for needleworkers, demonstrating complex stitches and layouts. This particular page, like others in the series, showcases the fine detail achievable through woodcut printing, a technique that allowed for the widespread dissemination of such designs to a burgeoning class of amateur and professional embroiderers. The entire book, published in 1605, was a significant resource for those practicing the domestic arts.
- Artist
- Matthias Mignerak
- Date
- 1605
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1920
What to Notice
Five details hide in plain sight. Here’s where to look.

The quatrefoil shape at the center, a common decorative motif.
The tiny, almost microscopic dots used to create texture.
The repeating floral elements that fill the entire page.
The delicate, thin lines that define each petal and leaf.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through La Pratique de l'Aiguille, page 14 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matthias Mignerak
Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.
Further Works by Mignerak
La Pratique de l'Aiguille
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 10 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 11 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 12 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 15 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 16 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 17 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 19 (recto)
1605 · The Metropolitan Museum of Art
More works to explore
Beyond Mignerak: works from the same years.
Same era · 1590s–1620s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1590s–1620s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1590s–1620s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1590s–1620s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1590s–1620s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
