“This woodcut is a page from a 17th-century needlework pattern book, offering a beautiful example of the intricate designs that guided artisans and hobbyists in their craft.”
This woodcut, "La Pratique de l'Aiguille, page 5 (recto)," offers a glimpse into the intricate world of needlework from the early 17th century. The page presents a delicate design, likely intended as a pattern for embroidery or lace, featuring flowing floral motifs and scrolling tendrils. Its purpose was to guide the hands of artisans and hobbyists, providing precise models for stitches and compositions. The fine lines and careful balance of positive and negative space demonstrate the skill required to translate such elaborate designs into a printable format. This particular page is part of a larger book, a practical manual that would have been essential for anyone engaged in the art of the needle, highlighting how artistic design was integrated into daily life and domestic crafts during this period. The work is a testament to the enduring appeal of decorative arts and the importance of shared knowledge through printed media.
- Artist
- Matthias Mignerak
- Date
- 1605
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1920
What to Notice
Four details hide in plain sight. Here’s where to look.

Observe the intricate floral patterns at the center of the design.
Notice the delicate, symmetrical curves that frame the main motif.
Look at the fine details in the leaves and petals, suggesting embroidery stitches.
See how the design is contained within a clear, defined border.
Stand in front of it and listen
The full narration walks you through La Pratique de l'Aiguille, page 5 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matthias Mignerak
Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.
Further Works by Mignerak
La Pratique de l'Aiguille
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 10 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 11 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 12 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 14 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 15 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 16 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 17 (recto)
1605 · The Metropolitan Museum of Art
More works to explore
Beyond Mignerak: works from the same years.
Same era · 1590s–1620s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1590s–1620s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1590s–1620s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1590s–1620s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1590s–1620s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
