“Step into the world of 17th-century fashion and craft with this woodcut, a page from a pattern book that guided needleworkers in creating intricate, elegant designs for textiles and clothing.”
This woodcut, "La Pratique de l'Aiguille, page 38," presents a vibrant, intricate pattern for needlework, a testament to the popular craft of the early 17th century. The design features a symmetrical arrangement of stylized foliage and flowers, forming a continuous, undulating vine that could be replicated endlessly. This page, like others in the collection, was part of a pattern book, a vital resource for anyone engaged in embroidery, lacemaking, or other textile arts. Such books allowed for the dissemination of fashionable designs across Europe, influencing domestic decoration and personal attire. The precise lines and balanced composition demonstrate the careful craftsmanship required to translate these complex patterns into a reproducible woodcut, offering a glimpse into the sophisticated world of Renaissance-era design and textile production.
- Artist
- Matthias Mignerak
- Date
- 1605
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1920
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the central quatrefoil, a four-lobed motif, anchoring the design.
Notice how the leaves and flowers are highly stylized, not naturalistic.
Look at the fine, delicate lines that create the illusion of depth in the foliage.
See the repeating pattern elements, designed for continuous embroidery.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through La Pratique de l'Aiguille, page 38 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matthias Mignerak
Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.
Further Works by Mignerak
La Pratique de l'Aiguille
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 10 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 11 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 12 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 14 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 15 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 16 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 17 (recto)
1605 · The Metropolitan Museum of Art
More works to explore
Beyond Mignerak: works from the same years.
Same era · 1590s–1620s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1590s–1620s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1590s–1620s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1590s–1620s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1590s–1620s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
