“Step into the world of 17th-century fashion and craft with this detailed woodcut. It's a design from a pattern book, offering a glimpse into the elegant embroidery and lace patterns that adorned clothing and homes.”
This woodcut, "La Pratique de l'Aiguille, page 33," invites us into the intricate world of 17th-century needlework design. A central, ornate motif dominates the page, featuring swirling acanthus leaves and delicate floral elements that create a sense of elegant symmetry. This particular design, likely intended as inspiration for embroidery or lace, showcases the period's preference for natural forms rendered with meticulous detail. The crisp lines and clear forms, characteristic of the woodcut medium, would have made it easy for artisans to translate these patterns onto fabric. Published in 1605 by Matthias Mignerak, this page comes from a larger pattern book, a crucial resource for craftspeople and wealthy households alike, demonstrating how printed media disseminated fashion and decorative arts across Europe.
- Artist
- Matthias Mignerak
- Date
- 1605
- Medium
- Woodcut
- Location
- The Metropolitan Museum of Art
- Dimensions
- Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1920
What to Notice
Four details hide in plain sight. Here’s where to look.

The central floral motif, a symmetrical arrangement of leaves and blossoms.
The fine, delicate lines that define each petal and leaf.
The way the design repeats and mirrors itself across the page.
The small, intricate details within the larger pattern, like tiny dots and curls.
Stand in front of it and listen
The full narration walks you through La Pratique de l'Aiguille, page 33 (recto) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Matthias Mignerak
Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.
Further Works by Mignerak
La Pratique de l'Aiguille
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 10 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 11 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 12 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 14 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 15 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 16 (recto)
1605 · The Metropolitan Museum of Art
La Pratique de l'Aiguille, page 17 (recto)
1605 · The Metropolitan Museum of Art
More works to explore
Beyond Mignerak: works from the same years.
Same era · 1590s–1620s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1590s–1620s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1590s–1620s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1590s–1620s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1590s–1620s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
