La Pratique de l'Aiguille, page 31 (recto) by Matthias Mignerak

La Pratique de l'Aiguille, page 31 (recto)

Matthias Mignerak · 1605

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“Step into the world of 17th-century needlework with this intricate woodcut. It's a rare surviving pattern from a book that guided artisans in creating beautiful embroidered designs, showing us the detailed artistry of a bygone era.”

ABOUT THIS WORK

This woodcut, from Matthias Mignerak's 1605 pattern book, "La Pratique de l'Aiguille" (The Practice of the Needle), offers a glimpse into the intricate world of early 17th-century needlework. Unlike many surviving textiles from the period, which are often fragmented or faded, this print provides a crisp, clear design intended to guide embroiderers. The central motif features a delicate floral arrangement, a common theme in decorative arts of the time, enclosed within a symmetrical border. Looking closely, you can see how the lines, though printed, mimic the precise stitches of embroidery, suggesting different textures and depths. This page, like others in the book, served as a vital resource for artisans, allowing them to replicate fashionable patterns and elevate everyday objects through the art of the needle. It speaks to a time when domestic crafts were both a practical skill and a significant artistic expression.

DETAILS
Artist
Matthias Mignerak
Date
1605
Medium
Woodcut
Location
The Metropolitan Museum of Art
Dimensions
Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
Collection
Drawings and Prints
Credit line
Rogers Fund, 1920
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

La Pratique de l'Aiguille, page 31 (recto)

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01Whole painting

Light pattern on dark grid

The design is a pale pattern against a dark square grid, like a negative. In pattern books like this, each square of the grid can be read as one stitch or mesh to copy.

02

The central vase

The swelling vase sits at the center, with curling scrolls on its belly. The main stems of the bouquet rise from its narrow neck.

1 of 4 on the painting
03

Bird at upper left

A small bird sits in the top left corner, with its wing and tail built from stepped lines. Even a living creature is reduced to blocks of squares.

2 of 4 on the painting
04

Stepped curves

Look closely at the scrolling tendrils. Their smooth curves are really built from tiny stair-steps, because the grid only allows whole squares.

3 of 4 on the painting
05

Ground strip and borders

A wavy strip of ground with small grass tufts anchors the bouquet. Plain gridded bands above and below frame the design like a border.

4 of 4 on the painting
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THE ARTIST

Matthias Mignerak

Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.

Read Mignerak’s full story
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