La Pratique de l'Aiguille, page 20 (recto) by Matthias Mignerak

La Pratique de l'Aiguille, page 20 (recto)

Matthias Mignerak · 1605

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“This woodcut offers a precise pattern for needlework from 1605, revealing the intricate designs that inspired artisans in the early 17th century. It's a fascinating example of how artistic prints guided domestic craft.”

ABOUT THIS WORK

This woodcut, "La Pratique de l'Aiguille, page 20," presents a delicate design for a piece of needlework, likely intended for embroidery or lace. The intricate pattern features a central floral motif, possibly a stylized carnation or rose, surrounded by scrolling tendrils and smaller blossoms. The design fills the page with a sense of organic growth, yet maintains a precise, symmetrical balance typical of early 17th-century pattern books. Such prints served as essential guides for artisans, allowing them to replicate fashionable designs for clothing, household linens, and decorative items. The clarity of the lines, achieved through the woodcut technique, ensures that even the smallest details of the pattern are easily discernible, making it practical for transfer onto fabric. This page is one of many from a larger volume, offering a glimpse into the rich visual culture and domestic arts of the period.

DETAILS
Artist
Matthias Mignerak
Date
1605
Medium
Woodcut
Location
The Metropolitan Museum of Art
Dimensions
Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm)
Collection
Drawings and Prints
Credit line
Rogers Fund, 1920
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

La Pratique de l'Aiguille, page 20 (recto)

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01

Venus standing

Venus stands tall in the center, drawn in pale lines against the grid. Long hair falls down her back and one arm is raised at the right.

1 of 5 on the painting
02

Cupid with bow

At upper left, a winged Cupid kneels in the air and aims his bow. His presence suggests the central figure is Venus, goddess of love.

2 of 5 on the painting
03

The grid of squares

Look at the heavy grid of tiny squares that fills the whole page. Each square can be filled or left empty, so the picture works as a pattern for needlework.

3 of 5 on the painting
04

Animals along the ground

A row of animals crouches along the bottom, forming a base for the tall figure. Their low shapes contrast with her upright body.

4 of 5 on the painting
05

Turtle at lower right

Near Venus's feet on the right, a turtle with a patterned shell is built from the same squares. It is easy to miss among the animals.

5 of 5 on the painting
AUDIO DEEP DIVE

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THE ARTIST

Matthias Mignerak

Matthias Mignerak's 1605 pattern book 'La Pratique de l'Aiguille' put fine needlework into the hands of everyday embroiderers.

Read Mignerak’s full story
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