“This monumental painting of St. Mark's Basilica in Venice showcases a Japanese artist's early engagement with Western oil painting, masterfully capturing the church's grand scale and dramatic play of light.”
The cavernous interior of St. Mark's Basilica in Venice unfolds before us, captured with a dramatic sense of scale. Sunlight streams through distant windows, illuminating the vast, shadowed space and highlighting the intricate mosaics that adorn the upper walls and domes. The perspective draws our eye deep into the church, past grand arches and columns, where small figures of people are almost swallowed by the architecture. This painting, made in 1869, offers a glimpse into a moment when Japanese artists like Okada Saburosuke were engaging deeply with Western artistic traditions, particularly oil painting. The artist's choice of such a monumental European subject suggests a keen interest in rendering complex architectural spaces and the interplay of light and shadow, a departure from traditional Japanese artistic themes and mediums.
- Artist
- Okada Saburosuke
- Date
- 1869
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 184.2 × 148.9 cm (72 1/2 × 58 1/2 in.)
- Collection
- Arts of the Americas
- Culture
- Venice
- Credit line
- Nickerson Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

Look at the tiny human figures, dwarfed by the immense architecture.
Observe how light from unseen windows illuminates the mosaics overhead.
Notice the intricate patterns and golden hues on the domed ceilings.
See the deep shadows that create a sense of mystery and depth.
1 more detail is waiting.
See all 5 in Art Whisper →Okada Saburosuke
1869–1939 · JapanOkada Saburosuke was a leading Japanese Yōga painter, celebrated for his warm and elegant portraits of women, who shaped Western-style art education in Japan.
Further Works by Saburosuke
American Gothic
1930 · Art Institute of Chicago
Nighthawks
1942 · Art Institute of Chicago
A Sunday on La Grande Jatte — 1884
1884 · Art Institute of Chicago
Returning Life
Art Institute of Chicago
Peonies
Art Institute of Chicago
Lion (One of a Pair, South Pedestal)
1893 · Art Institute of Chicago
falling down to the huge grey hollow in Hinode (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Art Institute of Chicago
Rising Sun, Red Clouds
Art Institute of Chicago
More from Nihonga
More works to explore
Beyond Saburosuke and Nihonga: works from the same years.
Same era · 1850s–1880s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Mountain View at Bormio (from Switzerland 1869 Sketchbook)
John Singer Sargent · 1869 · The Metropolitan Museum of Art
Same era · 1850s–1880s
The Rock of Hautepierre
Gustave Courbet · 1869 · Art Institute of Chicago
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
In the Adirondacks
William Hart · 1870 · Q847508
Same era · 1850s–1880s
Moroccan Horseshoer
Mariano Fortuny Marsal · 1870 · Museu Nacional d'Art de Catalunya
Same era · 1850s–1880s
On the Bank of the Seine, Bennecourt
Claude Monet · 1868 · Art Institute of Chicago
Same era · 1850s–1880s
Snow at Louveciennes
Camille Pissarro · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Little Shepherdess
Jean-François Millet · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art

