“This vibrant 1899 *Harper's Weekly* cover by William H. Bradley presents a classic, graphic Santa Claus, capturing the festive spirit of a bygone era and showcasing the power of magazine illustration.”
A joyous, rosy-cheeked Santa Claus bursts into view in this 1899 cover for Harper's Weekly, his arms laden with toys and a mischievous twinkle in his eye. William H. Bradley’s design captures the turn-of-the-century holiday spirit with a bold, graphic style that feels both traditional and strikingly modern. The composition, dominated by Santa’s expansive red coat and white beard, draws the viewer directly into the scene, almost as if Santa is stepping right out of the page. This zincograph, a type of lithography using zinc plates, allowed for vibrant, mass-produced images, making high-quality illustrations like this accessible to a wide audience. It reflects a moment when magazines were central to shaping cultural imagery and holiday traditions, presenting an idealized vision of Christmas cheer.
- Artist
- William H. Bradley
- Date
- 1899
- Medium
- Color zincograph on ivory wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 39.2 × 26.9 cm (15 7/16 × 10 5/8 in.); Sheet: 41.2 × 28.8 cm (16 1/4 × 11 3/8 in.)
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Gift of George F. Porter
What to Notice
Five details hide in plain sight. Here’s where to look.

Santa's rosy cheeks and twinkling eyes suggest his jolly nature.
The pile of toys in his arms, including a doll and a drum.
The elegant, flowing lines of Santa's beard and coat.
The subtle texture of the ivory wove paper.
1 more detail is waiting.
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William H. Bradley
1868–1962Further Works by Bradley
Bradley His Book - June
1888 · Art Institute of Chicago
The Chicago Sunday Tribune
1888 · Art Institute of Chicago
Whiting's Ledger Papers
1888 · Art Institute of Chicago
The Blue Lady: Poster Advertising the Chap-Book
1894 · Art Institute of Chicago
The Twins
1894 · Art Institute of Chicago
Thanksgiving, for The Chap-Book
1895 · Art Institute of Chicago
The Modern Poster
1895 · Art Institute of Chicago
More works to explore
Beyond Bradley: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Haystacks, Morning, Eragny
Camille Pissarro · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago
Same era · 1880s–1910s
Mademoiselle Nys
Henri de Toulouse-Lautrec · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Japanese Footbridge and the Water Lily Pool, Giverny
Claude Monet · 1899 · Philadelphia Museum of Art
Same era · 1880s–1910s
Two Tahitian Women
Paul Gauguin · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum
Same era · 1880s–1910s
Maternal Caress
Mary Cassatt · 1896 · Philadelphia Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
