“Stop to appreciate how this vibrant 1895 poster uses bold lines and a limited color palette to capture the spirit of modern design, inviting you into a world of artistic innovation.”
This poster for "The Modern Poster" exhibition immediately grabs attention with its striking figure and bold graphic design. A woman in a flowing green gown, her silhouette dramatically outlined, strides across the composition, her head turned to gaze directly at the viewer. Her pose, with one arm extended and the other holding a small, unidentifiable object, creates a sense of movement and invitation. The limited palette of green and blue against cream paper emphasizes the strong lines and flattened forms, characteristic of the Art Nouveau style emerging in the 1890s. The design, by William H. Bradley in 1895, cleverly uses negative space and simplified shapes to convey elegance and modernity, reflecting the innovative spirit of the poster art it advertised. This work exemplifies how artists of the period transformed commercial advertising into a sophisticated art form.
- Artist
- William H. Bradley
- Date
- 1895
- Medium
- Zincograph in green and blue on cream wove paper
- Location
- Art Institute of Chicago
- Dimensions
- 50.6 × 31.8 cm (19 15/16 × 12 9/16 in.)
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- Gift of George F. Porter
What to Notice
Four details hide in plain sight. Here’s where to look.

The woman's flowing green gown and its dramatic silhouette.
Her direct gaze and inviting gesture toward the viewer.
The way the blue background frames her figure.
The stylized, almost abstract floral motifs at the bottom.
Stand in front of it and listen
The full narration walks you through The Modern Poster — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
William H. Bradley
1868–1962Further Works by Bradley
Bradley His Book - June
1888 · Art Institute of Chicago
The Chicago Sunday Tribune
1888 · Art Institute of Chicago
Whiting's Ledger Papers
1888 · Art Institute of Chicago
The Blue Lady: Poster Advertising the Chap-Book
1894 · Art Institute of Chicago
The Twins
1894 · Art Institute of Chicago
Thanksgiving, for The Chap-Book
1895 · Art Institute of Chicago
Harper's Weekly-Christmas, 1899
1899 · Art Institute of Chicago
More works to explore
Beyond Bradley: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Madame Thadée Natanson (Misia Godebska, 1872–1950) at the Theater
Henri de Toulouse-Lautrec · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Woman Mending
Camille Pissarro · 1895 · Art Institute of Chicago
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Still Life with Teapot and Fruit
Paul Gauguin · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art
