“Stop to admire these ornate girandoles, where classical figures meet sparkling glass prisms. They offer a glimpse into the luxurious decorative arts of the mid-19th century, designed to illuminate and enchant with their intricate details and gleaming surfaces.”
This pair of girandoles, or ornamental candelabras, presents a striking fusion of classical elegance and naturalistic detail. Each piece features a central figure, a classically draped woman, whose pose and flowing garments evoke ancient statuary. She holds aloft a cornucopia-like form, from which delicate glass prisms cascade, designed to refract candlelight and create a dazzling display. The rich gilt bronze, now mellowed with age, would have originally gleamed, contrasting beautifully with the smooth, cool marble bases. The craftsmanship here speaks to the mid-19th century's appreciation for elaborate decorative arts, where functional objects were transformed into sculptural statements. Isaac Broome, who created these around 1848, was primarily known for his work in parian porcelain later in his career, making these earlier, gilt-bronze pieces a less common example of his output.
- Artist
- Isaac Broome
- Date
- 1848
- Medium
- Gilt bronze, marble, and glass
- Location
- Art Institute of Chicago
- Dimensions
- Max: H.: 45.1 cm (17 3/4 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the glass prisms catch and scatter the light.
The classical drapery and serene expression of the female figures.
The intricate detailing in the gilt bronze, especially on the cornucopia.
The smooth, cool texture of the marble base supporting the figures.
1 more detail is waiting.
See all 5 in Art Whisper →Isaac Broome
1836–1922 · United StatesCanadian-born sculptor who shaped America's Centennial with patriotic porcelain busts and decorative reliefs.
Further Works by Broome
Pastoral Vase
1871 · The Metropolitan Museum of Art
Broadside
1873 · The Metropolitan Museum of Art
George Washington
1873 · The Metropolitan Museum of Art
Catcher
1875 · The Metropolitan Museum of Art
Bust of Benjamin Franklin
1876 · The Metropolitan Museum of Art
Covered Sugar Bowl
1876 · The Metropolitan Museum of Art
Bracket
1877 · The Metropolitan Museum of Art
Tile
1884 · The Metropolitan Museum of Art
More works to explore
Beyond Broome: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1830s–1860s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Portrait of Fred Adelbert Haywood
School of William Matthew Prior · 1848 · Art Institute of Chicago
