Esau Meeting Jacob, from "Dalziels' Bible Gallery" by George Frederic Watts

Esau Meeting Jacob, from "Dalziels' Bible Gallery"

George Frederic Watts · 1881

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“Stop and observe the powerful embrace between Esau and Jacob in this wood engraving. It captures a moment of biblical reconciliation with raw human emotion and dramatic physicality, making an ancient story feel intensely personal.”

ABOUT THIS WORK

In this wood engraving, Esau and Jacob meet in a moment of dramatic reconciliation, their figures rendered with a powerful sense of musculature and emotion. Esau, the elder brother, embraces Jacob, his face etched with a mix of surprise and forgiveness after years of estrangement. Watts captures the biblical narrative with a focus on human drama, emphasizing the physical and emotional weight of their encounter. The scene is set against a rugged, almost primeval landscape, suggesting the vastness of the wilderness and the long journey that brought them together. This work, created for "Dalziels' Bible Gallery," showcases the artist's ability to imbue traditional subjects with a profound psychological intensity, making the ancient story feel immediate and deeply human.

DETAILS
Artist
George Frederic Watts
Date
1881
Medium
Wood engraving on India paper, mounted on thin card
Location
The Metropolitan Museum of Art
Dimensions
Image: 7 5/16 × 6 1/8 in. (18.5 × 15.6 cm) India sheet: 9 1/2 × 8 1/16 in. (24.1 × 20.5 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)
Collection
Drawings and Prints
Credit line
Anonymous Gift, 1926
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What to Notice

Five details hide in plain sight. Here’s where to look.

Esau Meeting Jacob, from "Dalziels' Bible Gallery"
01

The strong embrace between Esau and Jacob, conveying both tension and relief.

02

Esau's muscular back, highlighted by the light.

03

The way Jacob leans into his brother, almost collapsing.

04

The barren, rocky landscape in the background.

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THE ARTIST

George Frederic Watts

George Frederic Watts, a British Symbolist, dedicated his life to an epic cycle of allegorical paintings exploring the 'House of Life.'

Read Watts’s full story
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