“Stop and observe the dramatic atmosphere of an impending summer storm over Nahant Beach. This painting captures the raw power of nature, with its turbulent sea and gathering dark clouds, offering a vivid glimpse into a moment just before the weather breaks.”
A dramatic sky dominates this painting, a heavy curtain of dark clouds gathering over a turbulent sea. The light shifts rapidly, illuminating the breaking waves and a sliver of distant beach, hinting at the powerful forces of nature about to unfold. This view of Nahant, Massachusetts, captures the fleeting moment just before a summer storm breaks, a subject that evokes the grandeur of the natural world. Created in 1835, it reflects a growing interest in landscape painting during this period, moving beyond simple topographical views to explore the emotional impact of nature itself. The way the artist renders the changing atmospheric conditions and their effect on the surroundings, without any narrative elements, recalls 17th-century Dutch landscapes. This approach helped establish landscape as a significant genre in American art.
- Artist
- Thomas Stewardson
- Date
- 1835
- Medium
- Oil on canvas mounted on cradled panel
- Location
- Art Institute of Chicago
- Dimensions
- 52.1 × 71.4 cm (20 1/2 × 28 1/8 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Purchased with funds provided by Mrs. Herbert A. Vance
What to Notice
Five details hide in plain sight. Here’s where to look.

The dark, ominous clouds gathering on the horizon.
The whitecaps on the waves, churned by the approaching squall.
The small figures on the beach, dwarfed by the dramatic landscape.
The subtle light illuminating the distant shoreline.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Coming Squall (Nahant Beach with a Summer Shower) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Thomas Stewardson
1781–1859Thomas Stewardson was a British portrait painter whose work inspired poems by Letitia Elizabeth Landon.
Further Works by Stewardson
Distant View of Niagara Falls
1830 · Art Institute of Chicago
Mr Jackson
1800 · Abbot Hall Art Gallery
Mrs Jackson
1800 · Abbot Hall Art Gallery
Portrait of the Artist's Father
1800 · Abbot Hall Art Gallery
The Ainslie Sisters (Agnes and Margaret)
1808 · Abbot Hall Art Gallery
George Birkett
1810 · Abbot Hall Art Gallery
Mr Hugh Gurnal
1810 · Kendal Town Hall
The Children of the 13th Marquess
1812 · Winchester Guildhall
More works to explore
Beyond Stewardson: works from the same years.
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1820s–1850s
Landscape with a river and a bay in the background
J. M. W. Turner · 1835 · Department of Paintings of the Louvre
Same era · 1820s–1850s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
