Civil War

Édouard Manet, 1871

MEDIUMLithograph in black, with scraping, on ivory chine with red and blue fibers laid down on ivory wove paper (chine collé)
DIMENSIONSImage: 39.8 × 50.7 cm (15 11/16 × 20 in.); Primary support: 40 × 51 cm (15 3/4 × 20 1/8 in.); Secondary support: 49 × 60.9 cm (19 5/16 × 24 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPrints and Drawings
CULTUREFrance
CREDIT LINEJohn H. Wrenn Fund

Manet's "Civil War" is a powerful lithograph from 1871, capturing the grim aftermath of the Paris Commune. It's a stark example of his commitment to depicting modern life with raw honesty, showcasing the devastating impact of urban conflict.

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ABOUT THIS WORK

Édouard Manet, a pivotal figure in the transition from Realism to Impressionism, created this powerful lithograph, "Civil War," in 1871. Manet was known for painting modern life, and this work is a stark testament to that focus, capturing the raw aftermath of the Paris Commune. Unlike some of his earlier, more formal works like "The Tragic Actor" or "Jesus Mocked by the Soldiers," here Manet turns his gaze to contemporary urban conflict. The medium, a lithograph with scraping, allowed Manet to achieve dramatic contrasts and textures, enhancing the somber mood. This piece stands as a powerful record of a turbulent moment in French history, reflecting Manet's commitment to depicting the world around him with unflinching honesty. It showcases his ability to use printmaking to convey emotion and narrative, a skill also evident in works like "The Races at Longchamp" which captures a different facet of modern Parisian life.

ART MOVEMENTS
Impressionism
LOOK CLOSER

What to Notice

1

The lone, fallen figure in the foreground

2

The rubble and destruction in the background

3

The dramatic use of light and shadow

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Audio Deep Dive

Manet's "Civil War" is a powerful lithograph from 1871, capturing the grim aftermath of the Paris Commune. It's a stark example of his commitment to depicting…

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THE ARTIST
Édouard Manet 1832–1883 · France

Scandalous modernist who shocked Paris by painting everyday life and became the reluctant father of Impressionism.

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