The fallen soldier
The dark, heavy mass of the dead soldier fills the center. His coat melts into a black shape, so he reads as a body before a person.

“This powerful lithograph by Édouard Manet captures the raw aftermath of conflict in Paris, transforming a pose from an earlier work into a poignant commentary on the city's tumultuous year of 1871.”
A lone soldier lies slumped behind a makeshift barricade in this lithograph, a stark image of the violence that engulfed Paris in 1871. Manet created this print during a period of immense upheaval, as France reeled from defeat in the Franco-Prussian War and the subsequent revolutionary Paris Commune. The scene, while drawing on a pose from an earlier painting of a dead toreador, has been transformed into a powerful commentary on contemporary events. The soldier’s uniform is indistinct, making him a universal figure of sacrifice, while the glimpse of a striped civilian pant leg at the lower right subtly suggests the intrusion of war into everyday life. The stark black and white, achieved through lithography with scraping, amplifies the somber mood, emphasizing the raw brutality of the conflict.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The dark, heavy mass of the dead soldier fills the center. His coat melts into a black shape, so he reads as a body before a person.
A wall of loose stones stretches across the middle of the scene. It closes off the background and pushes the body forward toward us.
A boot kicks up at the right end of the body, and a small dark shape stands near it. The raised foot makes the stillness of the figure feel starker.
At the lower right, another leg and shoe enter the frame, with what looks like striped fabric. It hints at more fallen figures just outside the scene.
Fast, scratchy strokes of black crayon build every surface, with light scraped out in places. The hurried marks feel like a report from the scene.
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Scandalous modernist who shocked Paris by painting everyday life and became the reluctant father of Impressionism.
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1864 · Art Institute of Chicago
Fish (Still Life)
1864 · Art Institute of Chicago
Sea View, Calm Weather (Vue de mer, temps calme)
1864 · Art Institute of Chicago
Jesus Mocked by the Soldiers
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Boy with Pitcher (La Régalade)
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The Races at Longchamp
1866 · Art Institute of Chicago
The Man with the Dog
1877 · Art Institute of Chicago
Beyond Manet and Impressionism: works from the same years.
Same era · 1850s–1880s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1850s–1880s
Barks Fleeing Before the Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
Apples
Gustave Courbet · 1871 · National Museum of Western Art
Same era · 1850s–1880s
Bearded Man
Mariano Fortuny Marsal · 1871 · Hispanic Society of America
Same era · 1850s–1880s
The Crystal Palace
Camille Pissarro · 1871 · Art Institute of Chicago
Same era · 1850s–1880s
The Rehearsal Onstage
Edgar Degas · 1871 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
Impression, Sunrise
Claude Monet · 1872 · Musée Marmottan Monet
Same era · 1850s–1880s
In the Adirondacks
William Hart · 1870 · Q847508