“This watercolor offers a tranquil glimpse into 19th-century Tangiers, depicting camels at rest under a soft sky. It's a quiet, intimate scene that captures the allure of North Africa through delicate brushwork and atmospheric light.”
A small caravan of camels rests in the soft, diffused light of Tangiers, their forms silhouetted against a distant, hazy horizon. Fortuny captures a quiet moment of repose, far from the dramatic battle scenes he was commissioned to paint during his time in Morocco. The watercolor medium, applied with a delicate touch, allows for a subtle interplay of light and shadow, highlighting the texture of the camels' fur and the folds of their blankets. This work, created around 1860, immerses the viewer in a serene, almost dreamlike North African landscape, a testament to the artist's fascination with the region's everyday life rather than just its conflicts. The scene feels spontaneous, like a captured glimpse of daily existence, reflecting the Romantic interest in Orientalist themes that characterized much of the art of this period.
- Artist
- Mariano Fortuny Marsal
- Date
- 1860
- Medium
- Watercolor over graphite on off-white paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 8-1/4 x 14-3/4 in. (21.0 x 37.5 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

The varying shades of brown and ochre that define the camels' forms.
The faint outlines of distant buildings on the horizon, suggesting a city.
The way the light catches the humps and backs of the reposing animals.
The delicate washes of color in the sky, creating a sense of depth and atmosphere.
1 more detail is waiting.
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Mariano Fortuny Marsal
1838–1874 · SpainSpanish painter who died at 36 from malaria caught while painting outdoors, leaving behind shimmering Orientalist scenes.
Further Works by Marsal
Mirope Savati Gaye
1865 · The Metropolitan Museum of Art
An Arab Warrior
1862 · Hispanic Society of America
A Sketch
1862 · Hispanic Society of America
Patio of the Palace of the Duke of Alba, Seville: Raimundo de Madrazo y Garreta painting
1868 · Hispanic Society of America
The Portico of the Church of San Ginés, Madrid
1868 · Hispanic Society of America
African Chief
1870 · Art Institute of Chicago
Moroccan Horseshoer
1870 · Museu Nacional d'Art de Catalunya
Bearded Man
1871 · Hispanic Society of America
More from Romanticism
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Beyond Marsal and Romanticism: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art




