“This lively drawing offers a glimpse into a 17th-century Tuscan port, with a magnificent galley at its center. It's a testament to Stefano della Bella's skill in capturing detailed, bustling scenes on a small scale.”
This small, dynamic drawing by Stefano della Bella transports us to a bustling shore in 1634, where a Tuscan galley dominates the scene. The artist captures the energy of the maritime world with remarkable detail, especially considering the modest size of the paper. Your eye is drawn to the impressive galley, its oars poised, suggesting either arrival or imminent departure. Around it, smaller vessels navigate the choppy waters, hinting at the constant activity of a working port. The composition, though dense with elements, maintains a sense of clarity, allowing us to appreciate the interplay between the grand ship and the more intimate moments of daily life unfolding on the water and nearby land. Della Bella, who spent six years in Rome around this time, was adept at rendering both grand public spectacles and the everyday, often turning these detailed sketches into prints.
- Artist
- Stefano della Bella
- Date
- 1634
- Medium
- Pen and brown ink on ivory laid paper, laid down on ivory laid card
- Location
- Art Institute of Chicago
- Dimensions
- 6.2 × 10.6 cm (2 1/2 × 4 3/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate rigging and multiple oars of the large Tuscan galley.
The tiny figures on the decks of the various boats, hinting at their tasks.
The subtle shading in brown ink that creates depth and texture in the waves.
The distant shoreline, dotted with what appear to be buildings or structures.
1 more detail is waiting.
See all 5 in Art Whisper →Stefano della Bella
Stefano della Bella was a prolific 17th-century Italian printmaker, known for his dynamic etchings of everything from grand court spectacles to bustling street scenes in Florence, Rome, and Paris.
More works to explore
Beyond della Bella: works from the same years.
Same era · 1610s–1640s
Self-portrait in a Velvet Beret
Rembrandt · 1634 · Gemäldegalerie Berlin
Same era · 1610s–1640s
Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650)
Frans Hals · 1636 · The Metropolitan Museum of Art
Same era · 1610s–1640s
The Wedding of Peleus and Thetis
Peter Paul Rubens · 1636 · Art Institute of Chicago
Same era · 1610s–1640s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1610s–1640s
Southern Barbarians
Artist Unknown - The Mercat Cross, Aberdeen · 1625 · Art Institute of Chicago
Same era · 1610s–1640s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1610s–1640s
Saint Sebastian tended by Saint Irene
Georges de La Tour · 1634 · Gemäldegalerie Berlin
Same era · 1610s–1640s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
Same era · 1610s–1640s
Saint Jerome
Hendrick ter Brugghen · 1624 · Museum Boijmans Van Beuningen
Same era · 1610s–1640s
Two Deformed Heads with Very Long Upper Lips
Leonardo da Vinci · 1645 · The Metropolitan Museum of Art
Same era · 1610s–1640s
Floral Still Life
Jan van Kessel the Elder · 1633 · Museo del Prado
Same era · 1610s–1640s
Abraham and Isaac
Rembrandt van Rijn · 1645 · Art Institute of Chicago
