“Stop to appreciate how Tony Oursler transforms ordinary pine lumber into a thought-provoking sculpture. This work highlights the inherent beauty and structural simplicity of common building materials, inviting a fresh perspective on the objects around us.”
This artwork, aptly titled "Two by four by eight, two by four by ten," presents a simple yet compelling arrangement of pine lumber. Two distinct lengths of wood, one measuring eight feet and the other ten feet, are positioned to highlight their raw, unadorned presence. The artist, Tony Oursler, created this piece in 1991, a period when he began incorporating everyday objects into his installations. Here, the focus is entirely on the material itself: the grain, the knots, and the slight imperfections of the pine. It invites you to consider the fundamental building blocks of construction and the inherent beauty of industrial materials, removed from their functional purpose. The work challenges traditional notions of sculpture by elevating ordinary lumber to an object of contemplation, emphasizing its form and scale.
- Artist
- Tony Oursler
- Date
- 1991
- Medium
- Pine
- Location
- Art Institute of Chicago
- Dimensions
- 9.5 × 8.9 × 304.8 cm (3 3/4 × 3 1/2 × 120 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The visible wood grain and natural imperfections of the pine.
How the two different lengths of wood interact in the space.
The raw, unfinished quality of the lumber.
The precise, almost architectural arrangement of the pieces.
Tony Oursler
1957 · United StatesTony Oursler is a multimedia artist who transforms video projection into expressive faces on dolls, objects, and even buildings, creating captivating, often unsettling, narratives.
More from Contemporary Art
More works to explore
Beyond Oursler and Contemporary Art: works from the same years.
Same era · 1970s–2000s
Unfinished painting
Keith Haring · 1989
Same era · 1970s–2000s
Pat Hearn
Andy Warhol · 1985 · Art Institute of Chicago
Same era · 1970s–2000s
Kiki (Smith)
Chuck Close · 2000 · Art Institute of Chicago
Same era · 1970s–2000s
Untitled (Portrait of Ross in L.A.)
Félix González-Torres · 1991
Same era · 1970s–2000s
Near the Lagoon
Jasper Johns · 2002 · Art Institute of Chicago
Same era · 1970s–2000s
Wu Street
Xu Bing · 1993 · Art Institute of Chicago
Same era · 1970s–2000s
Cremaster 5: The Queen of Chain
Matthew Barney · 1997 · Art Institute of Chicago
Same era · 1970s–2000s
American Horizon
Jane Wooster Scott · 2000 · Art Institute of Chicago
Same era · 1970s–2000s
It's a New Age
William Hook · 1992 · Art Institute of Chicago
Same era · 1970s–2000s
Krach
Philip West · 1987 · Art Institute of Chicago
Same era · 1970s–2000s
Cremaster 2: Deseret
Birgit Cullberg · 1999 · Art Institute of Chicago
Same era · 1970s–2000s
White Lilies
Michele Elizabeth Field · 2004 · Oxford University Hospitals NHS Foundation Trust


