“This drawing captures a profound biblical encounter between Tobias and the Archangel Raphael, using dramatic light and shadow to convey spiritual guidance and human vulnerability.”
In this dramatic drawing, the young Tobias kneels before the towering figure of the Archangel Raphael, who points heavenward, his other hand resting gently on Tobias's shoulder. The scene, rendered in a striking combination of pen and brown ink with wash, captures a pivotal moment from the Book of Tobit, where Raphael guides Tobias on a journey. The artist uses strong contrasts of light and shadow, particularly visible in the angel's flowing drapery and Tobias's upturned face, to heighten the emotional intensity. Notice the subtle use of lead white, now oxidized to a darker tone, which once would have made the highlights pop even more vibrantly against the dark washes. This work, created in 1603, precedes Tobias Young's documented exhibition career by over a century, suggesting it might be an early work or possibly an attribution to a different artist with the same name.
- Artist
- Tobias Young
- Date
- 1603
- Medium
- Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over black chalk, with gray overpaint, (added by a later hand) on head and right hand of Tobias, on cream laid paper, laid down on gray laid paper
- Location
- Art Institute of Chicago
- Dimensions
- 41.5 × 34.5 cm (16 3/8 × 13 5/8 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

The small dog at Tobias's feet, a loyal companion on his journey.
Raphael's outstretched finger, directing Tobias's gaze upwards.
The detailed rendering of the angel's wings, suggesting powerful flight.
The staff held by Raphael, a traditional attribute of a traveler.
1 more detail is waiting.
See all 5 in Art Whisper →Tobias Young
1824 · United KingdomTobias Young was a British painter whose reputation flourished in Southampton, known for works like 'Judgment of Solomon'.
Further Works by Young
Winchester from the South
1803 · Winchester Guildhall
Southampton from Bitterne, Peartree Green
1820 · Southampton City Museums
Chessel House
Southampton City Museums
'Old Southampton', Lansdowne Castle
Southampton City Museums
Southampton from Bitterne
Southampton City Art Gallery
Southampton from Peartree Green
Southampton City Museums
View of Fort Regent from Longueville
Victoria College
View of Fort Regent from Victoria College
Victoria College
More works to explore
Beyond Young: works from the same years.
Same era · 1580s–1610s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1580s–1610s
The Feast in the House of Simon
El Greco · 1600 · Art Institute of Chicago
Same era · 1580s–1610s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1580s–1610s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1580s–1610s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1580s–1610s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1580s–1610s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1580s–1610s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1580s–1610s
Merrymakers at Shrovetide
Frans Hals · 1610 · Metropolitan Museum of Art
Same era · 1580s–1610s
La Pratique de l'Aiguille, page 7 (recto)
Matthias Mignerak · 1605 · The Metropolitan Museum of Art
Same era · 1580s–1610s
The Virgin and Child with Saint Anne
Georges de La Tour · 1600 · The Metropolitan Museum of Art
Same era · 1580s–1610s
Flowers and Birds
Zhou Zhimian · 1595 · Los Angeles County Museum of Art
