“Stop to appreciate these charming, intimate sketches by Alfred Sisley, offering a rare look at his drawing practice and keen observation of animals and rural life.”
This small sheet presents three distinct sketches, each capturing a fleeting moment with an intimate touch. On the left, two geese stride with purpose, their forms rendered with a lively graphite line and soft touches of colored crayon. Above, a peasant woman stands beside a cow, a quiet scene of rural life. To the right, another goose buries its head in its feathers, a charming study of animal behavior. These drawings, created late in Sisley's life, offer a rare glimpse into his process beyond his well-known landscape paintings. While he primarily focused on capturing changing light and atmospheric effects in outdoor scenes, these sketches reveal his keen observation of everyday subjects and a more personal, spontaneous approach to drawing.
- Artist
- Alfred Sisley
- Date
- 1895
- Medium
- Three separate sheets of varying sizes, with the same mediums and supports: graphite and colored crayon on buff wove paper, darkened
- Location
- The Metropolitan Museum of Art
- Dimensions
- 2 3/4 x 5 1/8 in. (7 x 13 cm); 2 7/16 x 2 3/16 in. (6.2 x 5.5 cm); 2 3/8 x 2 3/4 in. (6 x 7 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Four details hide in plain sight. Here’s where to look.

The varied sizes of the individual sketches on the single sheet.
The subtle use of colored crayon to add warmth to the geese.
The way the graphite captures the texture of the cow's coat.
The hidden head of the goose on the right, a moment of repose.
Stand in front of it and listen
The full narration walks you through Three Sketches-Two Geese Walking; Peasant Woman with a Cow; Goose Hiding its Head — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Alfred Sisley
1839–1899 · United Kingdom of Great Britain and IrelandAlfred Sisley, the dedicated landscape painter, captured the fleeting light of the French countryside in works like 'A Turn in the Road' and 'Watering Place at Marly'.
Further Works by Sisley
View of Marly-le-Roi from Coeur-Volant
1876 · The Metropolitan Museum of Art
A Turn in the Road
1873 · Art Institute of Chicago
Landscape along the Seine with the Institut de France and the Pont des Arts
1875 · Art Institute of Chicago
The Seine at Port-Marly, Piles of Sand
1875 · Art Institute of Chicago
Watering Place at Marly
1875 · Art Institute of Chicago
Street in Moret
1890 · Art Institute of Chicago
The Loire
1896 · Art Institute of Chicago
Four Geese by the River
1885 · The Metropolitan Museum of Art
More from Impressionism
More works to explore
Beyond Sisley and Impressionism: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Madame Thadée Natanson (Misia Godebska, 1872–1950) at the Theater
Henri de Toulouse-Lautrec · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Poplars, Eragny
Camille Pissarro · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Maternal Caress
Mary Cassatt · 1896 · Philadelphia Museum of Art
Same era · 1880s–1910s
No te aha oe riri (Why Are You Angry?)
Paul Gauguin · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Kiss
Edvard Munch · 1897 · Munch Museum




