The central mother figure
The seated woman in the middle gestures with an open hand. She anchors the group, and her wide skirt forms a solid base.

“Stop and observe this grand 17th-century family portrait, where six young aristocrats are presented in their finest attire, offering a glimpse into the formality and expectations of noble childhood.”
This large canvas brings together the six children of Landgrave Louis VI of Hessen-Darmstadt, captured in a moment of youthful formality. Painted in 1665, the composition places the children in a shallow space, almost as if they are lined up for inspection. Their rich clothing, in vibrant reds, golds, and blues, speaks to their aristocratic status, each fabric rendered with a keen attention to texture and drape. While the children maintain a certain decorum, there are hints of individual personality: one child clutches a small dog, another holds a bird, suggesting an attempt to infuse the formal portrait with touches of everyday life. This type of group portrait was common among European nobility, serving not only as a record of family but also as a visual declaration of lineage and future succession. Salomon Duarte, whose name is sometimes recorded as Salomon Duward or Duwart, created this work during a period when such grand family depictions were highly valued.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The seated woman in the middle gestures with an open hand. She anchors the group, and her wide skirt forms a solid base.
The two older girls wear tight ringlets and clusters of flowers in their hair, and the woman at the center has blooms tucked in too. The flowers and curls point to fashionable dress for a princely family.
On the shoulder of the boy at lower right, a small carved face sits on the dark cloak. It looks like a costume detail drawn from classical dress, though the exact motif is hard to identify.
Look at the pale skirt of the smallest girl at left. Soft highlights and sharp folds make the satin seem to catch the light.
At upper right the dark foliage opens onto a pale sky with a small flock of birds. This gives the crowded figures a bit of breathing room.
The full narration walks you through The six children of Louis VI Landgrave of Hessen-Darmstadt — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Salomon Duarte, a 17th-century Dutch artist, captured intimate moments like 'Student at a Table by Candlelight' in his etchings.
Ludvig VI, 1630-78, lantgreve av Hessen-Darmstadt
1665 · Nationalmuseum
Georg II, 1605-1661, lantgreve av Hessen-Darmstadt
1666 · Nationalmuseum
Sofia Eleonora, 1609-1671, prinsessa av Sachsen lantgrevinna av Hessen-Darmstadt
1666 · Nationalmuseum
Sofia Augusta, 1630-1680, prinsessa av Holstein-Gottorp hertiginna av Anhalt-Zerbst
1667 · Nationalmuseum
Sofia Augusta, 1663-1694, prinsessa av Anhalt-Zerbst hertiginna av Sachsen-Weimar
1670 · Nationalmuseum
Johan III, 1621-1667, hertig av Anhalt-Zerbst
Nationalmuseum
Portrait of Elisabeth Dorothea of Saxony-Gotha-Altenburg
1650 · Bavarian State Painting Collections
portrait of Count Ludwig VI. von Hessen-Darmstadt
1660 · Bavarian State Painting Collections
Beyond Duarte: works from the same years.
Same era · 1650s–1680s
The Astronomer
Johannes Vermeer · 1664 · Department of Paintings of the Louvre
Same era · 1650s–1680s
Juno
Rembrandt · 1663 · Rheinisches Landesmuseum Bonn
Same era · 1650s–1680s
Frans Hals (1582/83–1666)
Frans Hals · 1650 · The Metropolitan Museum of Art
Same era · 1650s–1680s
Resurrection of Christ
Samuel van Hoogstraten · 1665 · Art Institute of Chicago
Same era · 1650s–1680s
The Music Lesson
Gerard ter Borch the Younger · 1670 · Art Institute of Chicago
Same era · 1650s–1680s
Tancred's servant presenting the heart of Guiscard in a golden cup to Guismond
Adriaen van der Werff · 1678 · Fitzwilliam Museum
Same era · 1650s–1680s
A lady holding a crucifix
Willem van der Vliet · 1650
Same era · 1650s–1680s
The Denial of Saint Peter
Georges de La Tour · 1650 · Nantes Museum of Arts
Same era · 1650s–1680s
The Fall of the Giants
Jacob Jordaens · 1663 · Art Institute of Chicago
Same era · 1650s–1680s
The wedding party
Jan Steen · 1660 · Museum Boijmans Van Beuningen
Same era · 1650s–1680s
Bouquet of flowers in a glass vase
Jan van Kessel the Elder · 1659 · Suermondt-Ludwig-Museum
Same era · 1650s–1680s
Portrait of Edouard Molé
Robert Nanteuil · 1653 · Art Institute of Chicago