“Stop to witness the biblical epic of Abraham's departure, rendered with dramatic light and an expansive sense of journey. József Molnár captures the human and historical scale of this momentous migration.”
József Molnár’s "The Departure of Abraham" transports us to a pivotal moment in biblical history, capturing the patriarch Abraham leading his family and livestock from Haran. The scene unfolds under a dramatic sky, with a golden light illuminating the central figures as they prepare for their journey. Molnár, who studied in major European art centers like Venice and Rome before returning to Hungary, imbues this historical narrative with a sense of both grandeur and human connection. We see Abraham, his face etched with determination, guiding his large family and their possessions into an uncertain future. The composition emphasizes the sheer scale of the undertaking, with a long line of followers and animals stretching into the distance, hinting at the vastness of the journey ahead. This work, painted in 1850, reflects the era's interest in monumental historical and religious themes, rendered with a rich, almost theatrical quality.
- Artist
- József Molnár
- Date
- 1850
- Location
- Hungarian National Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

Abraham's determined gaze, looking forward into the unknown.
The long procession of people and animals winding into the distance.
The dramatic, golden light highlighting the main figures and their path.
The variety of textiles and garments worn by the travelers.
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József Molnár
1821–1899 · HungaryJózsef Molnár was a Hungarian painter known for his landscapes and historical scenes, who also spent time painting portraits in Stuttgart.
Further Works by Molnár
Slender Woman with Vase
1894 · Art Institute of Chicago
Bathing Women
1880 · Hungarian National Gallery
Shepherd Boy
Hungarian National Gallery
Warrior Dezső Sacrifices his Life for King Charles Robert
1855 · Hungarian National Gallery
Randezvous
1879 · Hungarian National Gallery
Portrait of a widow
1850 · Ernest Zmeták Art Gallery
Die Rückeroberung Ofens aus der Hand der Türken im Jahr 1686
1858 · Kunsthistorisches Museum
Festival in Bretagne
1895 · Art Institute of Chicago
More works to explore
Beyond Molnár: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
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Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
