“Stop and admire this serene woodblock print, where a vividly colored pheasant brings life to a tranquil, snow-laden pine forest. It's a masterful example of a Japanese winter landscape, inviting a moment of quiet reflection.”
A lone pheasant stands poised on a snow-covered branch, its vibrant plumage a striking contrast against the muted winter landscape. This vertical composition, typical of Japanese woodblock prints, draws the eye upward along the slender pine trees, which appear weighted down by thick blankets of snow. The artist has used subtle gradations of ink and color, a technique known as bokashi, to create a sense of depth and atmospheric perspective, particularly visible in the soft, almost glowing quality of the snow. This print belongs to a genre that focuses on natural subjects, diverging from the more common ukiyo-e themes of urban life. The stillness of the scene, broken only by the pheasant's presence, evokes the quiet beauty of a snowy day, inviting contemplation of nature's delicate balance.
- Artist
- Utagawa Hiroshige
- Medium
- Woodblock print; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 14 7/8 in. (37.8 cm); W. 6 3/4 in. (17.1 cm)
What to Notice
Four details hide in plain sight. Here’s where to look.

The pheasant's bright red face and blue-green feathers.
The heavy, rounded forms of snow on the pine branches.
The subtle color gradations (bokashi) in the snowy hillside.
The delicate outlines of the pine needles peeking through the snow.
Stand in front of it and listen
The full narration walks you through 小松にきじ|Pheasant and Pine-trees on Snowy Hillside — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Hiroshige
1797–1858 · JapanUtagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.
Further Works by Hiroshige
Boat on the Sumida
1817 · The Metropolitan Museum of Art
Small View of Yedo
1817 · The Metropolitan Museum of Art
近江八景之内 唐崎夜雨|Evening Rain at Karasaki-Pine Tree
1822 · The Metropolitan Museum of Art
近江八景之内 比良暮雪|Evening Snow on Mount Hira
1822 · The Metropolitan Museum of Art
西洋風の懐中時計『春雨集』 摺物帖|Western Pocket WatchFrom the Spring Rain Collection (Harusame shū), vol. 3
1823 · The Metropolitan Museum of Art
東海道五十三次之内 江尻 三保遠望|Distant View of Miho Beach from Ejiri
1824 · The Metropolitan Museum of Art
東海道五十三次之内 白須賀 汐見阪図|Shirasuka, Shio-mi Zaka
1824 · The Metropolitan Museum of Art
東海道五十三次之内 神奈川 台之景|View of Kangawa at Sunset
1824 · The Metropolitan Museum of Art
