江戸名所 御茶の水|Meguro

Utagawa Hiroshige

MEDIUMWoodblock print; ink and color on paper
DIMENSIONS10 x 14 1/2 in. (25.4 x 36.8 cm)
LOCATIONThe Metropolitan Museum of Art

Step into Edo-period Japan with Hiroshige's 'Meguro,' a serene woodblock print capturing a famous locale with his signature poetic touch and masterful use of color.

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ABOUT THIS WORK

Utagawa Hiroshige, a master of ukiyo-e, is renowned for his landscape prints, and this work, "Meguro" from the series "Famous Places of Edo," exemplifies his distinctive style. Hiroshige's landscapes, often more poetic and ambient than his contemporary Hokusai's bolder compositions, frequently showcase the subtle use of color and the labor-intensive technique of bokashi, or color gradation. This print, created during the Edo period (1603–1868), captures a specific locale within the bustling city, inviting viewers to experience a moment of tranquility or daily life in a celebrated spot. Unlike the typical ukiyo-e focus on actors or courtesans, Hiroshige elevated the landscape genre, a choice influenced by Hokusai's "Thirty-six Views of Mount Fuji." His works, including this one, would later profoundly influence Western European artists like Van Gogh and Monet, who admired and studied his innovative compositions and use of perspective, especially his tendency to place large-scale objects in the foreground to create depth.

ART MOVEMENTS
Ukiyo-e
LOOK CLOSER

What to Notice

1

The subtle gradations of color, a Hiroshige hallmark

2

Figures engaged in daily activities

3

The overall composition and perspective

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Audio Deep Dive

Step into Edo-period Japan with Hiroshige's 'Meguro,' a serene woodblock print capturing a famous locale with his signature poetic touch and masterful use of c…

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THE ARTIST
Utagawa Hiroshige 1797–1858 · Japan

Utagawa Hiroshige, the last great master of ukiyo-e, transformed landscape printmaking with his poetic scenes of Edo Japan and vibrant use of color gradation.

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