“Stop to appreciate the striking mezzotint technique in this portrait of Master Lambton, where deep shadows and soft light create a dramatic and introspective mood around the young boy.”
A young boy, perhaps nine or ten years old, gazes out from this mezzotint with a solemn, almost melancholic expression. He is Master Lambton, depicted here in a dark suit, his white shirt collar a stark contrast against the deep shadows that envelop much of the scene. The artist, Samuel Cousins, used the mezzotint technique to achieve the rich, velvety blacks and subtle gradations of tone that give this portrait its dramatic intensity. Notice how the light, seemingly from an unseen source to the left, illuminates the boy's face and hands, drawing our attention directly to his youthful features and delicate fingers. This print, made in 1827, captures a moment of quiet introspection, inviting us to ponder the inner world of a child from a bygone era. The softness of the mezzotint creates a dreamlike quality, enhancing the sense of a fleeting moment preserved in time.
- Artist
- Samuel Cousins
- Date
- 1827
- Medium
- Mezzotint on paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 38.5 × 29.7 cm (15 3/16 × 11 3/4 in.); Sheet: 44.8 × 34.2 cm (17 11/16 × 13 1/2 in.)
- Collection
- Prints and Drawings
- Culture
- England
- Credit line
- The Charles Deering Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The velvety texture of the boy's suit, created by the mezzotint technique.
The subtle glow on the boy's cheek and forehead, suggesting a hidden light source.
The way the boy's hands are clasped, adding to his pensive demeanor.
The deep, rich shadows that define the background and frame the figure.
Stand in front of it and listen
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More works to explore
Beyond Cousins: works from the same years.
Same era · 1810s–1840s
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Same era · 1810s–1840s
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J. M. W. Turner · 1827 · Yale Center for British Art
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
