“This powerful marble sculpture captures the ancient myth of Latona protecting her divine children, Apollo and Diana, with a universal message of maternal devotion and vulnerability. Notice the dramatic poses and the skillful carving that brings the story to life.”
In this dramatic marble sculpture, Latona (or Leto in Greek mythology) shields her two young children, Apollo and Diana, from the wrath of a vengeful goddess. The figures emerge from the stone with a powerful sense of movement and emotion, especially in Latona's protective embrace and the children's clinging forms. The artist, William Henry Charlton, captures the intensity of the myth, where Latona, a mortal lover of Zeus, was relentlessly pursued by Hera. She sought refuge in the floating island of Delos, where she gave birth to the twins. Here, the artist emphasizes the raw vulnerability of the mother and her children, a universal theme rendered with classical elegance. The smooth, polished surfaces of the marble contrast with the deep undercuts, creating a play of light and shadow that enhances the emotional tension of the scene.
- Artist
- William Henry Charlton
- Date
- 1870
- Medium
- Marble
- Location
- The Metropolitan Museum of Art
- Dimensions
- 46 1/8 x 65 3/4 x 31 in., 2795lb. (117.2 x 167 x 78.7 cm, 1267.8kg)
- Collection
- The American Wing
- Culture
- American
- Credit line
- Rogers Fund, 1905
What to Notice
Five details hide in plain sight. Here’s where to look.

Latona's strong, outstretched arm, forming a protective barrier.
The way Apollo and Diana cling to their mother, seeking refuge.
The intricate drapery, carved to suggest movement and urgency.
The expressions of fear and vulnerability on the children's faces.
1 more detail is waiting.
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William Henry Charlton
1846–1918 · United Kingdom of Great Britain and IrelandWilliam Henry Charlton, a British painter active in the late 19th and early 20th centuries, captured various landscapes and scenes, including a detailed "Mouth of Patterson's Creek, Main Line, B & O Railroad."
Further Works by Charlton
More works to explore
Beyond Charlton: works from the same years.
Same era · 1850s–1880s
Cart with Red and White Ox
Vincent van Gogh · 1884 · Kröller-Müller Museum
Same era · 1850s–1880s
Two Boats in a Storm
Léon-Victor Dupré · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1850s–1880s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1850s–1880s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1850s–1880s
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1850s–1880s
In the Adirondacks
William Hart · 1870 · Q847508
Same era · 1850s–1880s
Moroccan Horseshoer
Mariano Fortuny Marsal · 1870 · Museu Nacional d'Art de Catalunya
Same era · 1850s–1880s
Snow at Louveciennes
Camille Pissarro · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Little Shepherdess
Jean-François Millet · 1870 · Art Institute of Chicago
Same era · 1850s–1880s
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1850s–1880s
Apples
Gustave Courbet · 1871 · National Museum of Western Art



