Infantry Garniture of a Target (Shield) and Pointed Morion

Pompeo della Cesa, 1570

MEDIUMSteel, brass, gilding, silk velvet, horse hair, silk, and silver-gilt fringe
DIMENSIONSRondache: Diam.: 55.9 cm (22 in.); ;
LOCATIONArt Institute of Chicago

Stop to admire this stunning ceremonial shield and helmet, a testament to Renaissance luxury and craftsmanship. It's a dazzling display of etched and gilded steel, more art than armor, designed to impress at courtly events.

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ABOUT THIS WORK

This elaborate shield, or rondache, and pointed helmet, called a morion, were not made for battle. Instead, they represent the pinnacle of Renaissance armor as a display of wealth and artistry. Look closely at the shield's surface, where a rich tapestry of mythological figures unfolds. Jupiter, identifiable by his eagle, holds court at the center, surrounded by other gods and goddesses. This intricate scene, executed in etched and gilded steel, would have gleamed under torchlight, catching the eye of courtiers. The sheer density of ornamentation, from the delicate foliate patterns to the classical figures, speaks to the owner's status and refined taste. Pompeo della Cesa, working in Milan around 1570, was a master of this highly decorative style, transforming functional objects into works of art. The accompanying morion, with its distinctive comb and pointed brim, shares the same opulent gilding and etched motifs, completing a ceremonial garniture designed to impress.

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What to Notice

1

Jupiter with his eagle at the shield's center.

2

The intricate etched and gilded mythological figures.

3

Delicate foliate patterns filling every available space.

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Audio Deep Dive

Stop to admire this stunning ceremonial shield and helmet, a testament to Renaissance luxury and craftsmanship. It's a dazzling display of etched and gilded st…

Hear the full story in the app
THE ARTIST
Pompeo della Cesa 1537–1610

Master armorer who crafted gilded steel garnitures for Italian nobility in Renaissance Milan.

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