“Stop to admire this stunning ceremonial shield and helmet, a testament to Renaissance luxury and craftsmanship. It's a dazzling display of etched and gilded steel, more art than armor, designed to impress at courtly events.”
This elaborate shield, or rondache, and pointed helmet, called a morion, were not made for battle. Instead, they represent the pinnacle of Renaissance armor as a display of wealth and artistry. Look closely at the shield's surface, where a rich tapestry of mythological figures unfolds. Jupiter, identifiable by his eagle, holds court at the center, surrounded by other gods and goddesses. This intricate scene, executed in etched and gilded steel, would have gleamed under torchlight, catching the eye of courtiers. The sheer density of ornamentation, from the delicate foliate patterns to the classical figures, speaks to the owner's status and refined taste. Pompeo della Cesa, working in Milan around 1570, was a master of this highly decorative style, transforming functional objects into works of art. The accompanying morion, with its distinctive comb and pointed brim, shares the same opulent gilding and etched motifs, completing a ceremonial garniture designed to impress.
- Artist
- Pompeo della Cesa
- Date
- 1570
- Medium
- Steel, brass, gilding, silk velvet, horse hair, silk, and silver-gilt fringe
- Location
- Art Institute of Chicago
- Dimensions
- Rondache: Diam.: 55.9 cm (22 in.); ;
What to Notice
Five details hide in plain sight. Here’s where to look.

Jupiter with his eagle at the shield's center.
The intricate etched and gilded mythological figures.
Delicate foliate patterns filling every available space.
The morion's distinctive high comb and pointed brim.
1 more detail is waiting.
See all 5 in Art Whisper →Pompeo della Cesa
1537–1610Master armorer who crafted gilded steel garnitures for Italian nobility in Renaissance Milan.
Further Works by della Cesa
Close Helmet
1560 · The Metropolitan Museum of Art
Close Helmet with Falling Buffe
1565 · The Metropolitan Museum of Art
Backplate of an Armor for Vincenzo Luigi di Capua (d. 1627)
1570 · The Metropolitan Museum of Art
Portions of an Armor for Vincenzo Luigi di Capua (d. 1627)
1570 · The Metropolitan Museum of Art
Half Armor for the Foot Tournament
1585 · Cleveland Museum of Art
More works to explore
Beyond della Cesa: works from the same years.
Same era · 1550s–1580s
Penitent Magdalene
Titian · 1575
Same era · 1550s–1580s
The Assumption of the Virgin
El Greco · 1577 · Art Institute of Chicago
Same era · 1550s–1580s
The Tower of Babel
Pieter Bruegel the Elder · 1563
Same era · 1550s–1580s
Virgin and Child in a Church, also known as the Van Maelbeke Virgin
Wierix · 1575 · The Metropolitan Museum of Art
Same era · 1550s–1580s
The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob
Workshop of Jan van Tieghem · 1560 · Art Institute of Chicago
Same era · 1550s–1580s
Winter Landscape with Snowfall near Antwerp
Lucas van Valckenborch · 1575 · Städel Museum
Same era · 1550s–1580s
Virgin and Child with the infant Saint John the Baptist
Matteo Florimi · 1576 · The Metropolitan Museum of Art
Same era · 1550s–1580s
Trionfo Di Virtu. Libro Novo..., page 28 (recto)
Matteo Pagano · 1563 · The Metropolitan Museum of Art
