The big nose
Follow the profile down to the huge, bulbous nose. Monet pushes it far past life, which is the joke at the heart of the caricature.

“Stop to see a rare early work by Claude Monet, a lively graphite caricature from his teenage years, revealing his talent for capturing personality before he became known for Impressionist landscapes.”
This striking graphite drawing, created when the artist was just 15, captures a man with an exaggerated profile and a comically small hat. The bold lines and simplified forms emphasize his prominent nose and chin, giving him a somewhat bewildered expression. It's a testament to the artist's early skill in observation and caricature, a popular art form in mid-19th century France. Before he would become known for his luminous landscapes, the young artist honed his craft by drawing portraits and caricatures for money in his hometown of Le Havre. This early work offers a glimpse into his foundational drawing abilities, showcasing a different facet of his artistic journey before he fully embraced the Impressionist movement.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
Follow the profile down to the huge, bulbous nose. Monet pushes it far past life, which is the joke at the heart of the caricature.
The hat is the darkest, most heavily worked patch on the sheet. Dense, scribbled strokes make it pop against the pale paper and crown the figure.
Follow the long coat down the body to the short, narrow legs. The squashed proportions make the man look comically top-heavy.
At the desk edge, the hand holds what looks like a pen or a small tool. A few light lines suggest he is busy writing or drawing.
Monet's name is written at the top, and a French caption runs along the bottom. It reads roughly as the man with the little hat, like a joking label.
The full narration walks you through Caricature of a Man in the Small Hat — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Claude Monet, the visionary founder of Impressionism, transformed how we see light and nature, famously capturing the same scene repeatedly to reveal fleeting moments.
The Beach at Sainte-Adresse
1867 · Art Institute of Chicago
On the Bank of the Seine, Bennecourt
1868 · Art Institute of Chicago
The Artist's House at Argenteuil
1873 · Art Institute of Chicago
Arrival of the Normandy Train, Gare Saint-Lazare
1877 · Art Institute of Chicago
Apples and Grapes
1880 · Art Institute of Chicago
Cliff Walk at Pourville
1882 · Art Institute of Chicago
Bordighera
1884 · Art Institute of Chicago
Rocks at Port-Goulphar, Belle-Île
1886 · Art Institute of Chicago
Young Spartan Girls Challenging Boys
Degas · 1860 · Art Institute of Chicago
Alfred Sisley
Renoir · 1864 · Foundation E.G. Bührle Collection
Sea View, Calm Weather (Vue de mer, temps calme)
Manet · 1864 · Art Institute of Chicago
The Banks of the Marne in Winter
Pissarro · 1866 · Art Institute of Chicago
Beyond Monet and Impressionism: works from the same years.
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Birches
William Hart · 1855 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Brook of Les Puits-Noir
Gustave Courbet · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1840s–1870s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)
Edgar Degas · 1865 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery