DETAILS
- Artist
- Karel Dujardin
- Date
- 1641
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 2 3/16 x 2 9/16 in. (5.6 x 6.5 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Phyllis Massar, 2011
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through Study of heads in profile view, a woman with headcloth and bearded man whose heads overlap above, two facing profiles below — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Karel Dujardin
Karel Dujardin, a Dutch Golden Age painter, masterfully captured the serene beauty of Italianate landscapes, often populated with animals and peasants.
KEEP EXPLORING
More works to explore
Beyond Dujardin: works from the same years.
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Malle Babbe
Frans Hals · 1640 · Gemäldegalerie Berlin
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The Night Watch (De Nachtwacht)
Rembrandt · 1642
Same era · 1620s–1650s
The Wedding of Peleus and Thetis
Peter Paul Rubens · 1636 · Art Institute of Chicago
Same era · 1620s–1650s
Christ in the House of Martha and Mary
Johannes Vermeer · 1650 · Scottish National Gallery
Same era · 1620s–1650s
An Elegant Company
Samuel Alcock & Company · 1632 · Art Institute of Chicago
Same era · 1620s–1650s
Saint Romanus of Antioch and Saint Barulas
Master of the View of Saint Gudula · 1638 · Art Institute of Chicago
Same era · 1620s–1650s
Portrait of a man
Willem van der Vliet · 1634 · Pushkin Museum of Fine Arts
Same era · 1620s–1650s
Saint Sebastian tended by Saint Irene
Georges de La Tour · 1634 · Gemäldegalerie Berlin
Same era · 1620s–1650s
Portrait of Elisabeth Dorothea of Saxony-Gotha-Altenburg
Salomon Duarte · 1650 · Bavarian State Painting Collections
Same era · 1620s–1650s
King David playing the harp among angels
Hendrick ter Brugghen · 1628 · National Museum in Warsaw
Same era · 1620s–1650s
Two Deformed Heads with Very Long Upper Lips
Leonardo da Vinci · 1645 · The Metropolitan Museum of Art
Same era · 1620s–1650s
Tree Peonies in Full Bloom
Artist Unknown - The Mercat Cross, Aberdeen · 1644 · Art Institute of Chicago
