“Stop and admire this stunning example of "Point de Gaze" needle lace. Its intricate floral patterns and shimmering texture reveal the luxurious craftsmanship cherished in the late 19th century.”
This intricate piece of needle lace, named "Bertha," showcases the delicate artistry of the late 19th century. Spanning over two and a half meters, it was likely intended as an opulent trim for a garment or perhaps a decorative furnishing, designed to catch the eye with its complex patterns. The "Point de Gaze" technique, originating in Belgium, is evident in the finely worked floral motifs and scrolling tendrils that seem to float across the sheer cotton ground. Look closely and you'll see how the dense, raised needlework creates a three-dimensional effect, almost like sculpted fabric. This type of lace, handmade and labor-intensive, was a luxury item, reflecting the era's appreciation for elaborate craftsmanship and the social status of its owner. The interplay of openwork and solid stitching gives "Bertha" a shimmering, ethereal quality, a testament to the skill involved in its creation around 1890.
- Artist
- Winston Churchill
- Date
- 1890
- Medium
- Cotton, "Point de Gaze" needle lace
- Location
- Art Institute of Chicago
- Dimensions
- 17.3 × 251.6 × 55.7 cm (6 7/8 × 99 × 21 7/8 in.); Repeat: W.: 29.4 cm (11 1/2 in.)
- Collection
- Textiles
- Culture
- Burano
- Credit line
- Gift of Edward Morris in memory of his wife
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate floral sprays, each petal meticulously formed.
The subtle variations in thickness of the needlework threads.
The flowing, organic lines of the scrolling tendrils.
The fine cotton net that forms the transparent background.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Bertha — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
More works to explore
Beyond Churchill: works from the same years.
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
The Streetwalker
Henri de Toulouse-Lautrec · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Woman in Front of a Still Life by Cezanne
Paul Gauguin · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
