Alchemy of Pain by Matthew Monahan

Alchemy of Pain

Matthew Monahan · 2006

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“Stop to see how everyday materials like foam, drywall, and nails are transformed into a monumental, fragmented figure that balances a sheet of glass. This sculpture challenges expectations with its surprising construction and delicate equilibrium.”

ABOUT THIS WORK

A hulking, statuesque figure, seemingly in a moment of precarious balance, dominates this sculpture. It stands on a low platform made of raw gypsum drywall, a surprising base for what might initially appear to be a classical form. The figure itself is fragmented into three distinct parts, reassembled with visible wood trowels and metal nails that pierce and adorn its body and face. This piecemeal construction, using everyday materials like foam, wax, and paper alongside metal leaf and glass, creates a striking contrast with the exaggerated poses it references from classical sculpture. The limbless form carefully balances a narrow sheet of glass, topped with a three-dimensional charcoal drawing, adding another layer of unexpected fragility and complexity. This work, created by Matthew Monahan in 2006, transforms its humble components into a symbol of awkward harmony, inviting contemplation on the allegorical power of these unconventional materials.

DETAILS
Artist
Matthew Monahan
Date
2006
Medium
Foam, wax, pigment, metal leaf, paper, glass and drywall
Location
Art Institute of Chicago
Dimensions
170 × 152 × 105 cm (67 × 60 × 41 1/2 in.)
Collection
Contemporary Art
Culture
United States
Credit line
Gift of Society for Contemporary Art
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What to Notice

Five details hide in plain sight. Here’s where to look.

Alchemy of Pain
01

The raw gypsum drywall platform the figure stands on.

02

Wood trowels and metal nails piercing the figure's body and face.

03

The narrow sheet of glass precariously balanced on top.

04

The three-dimensional charcoal drawing resting on the glass.

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