“Step into a world where the organic meets the artificial. This intriguing vitrine encases a plastic figure amidst earth and potatoes, prompting a fascinating dialogue about nature, the body, and modern materials.”
This vitrine holds a curious, almost archaeological display, featuring a human-like form crafted from various plastics and a collection of organic materials. The central figure, partially obscured and seemingly in repose, is composed of internally lubricated plastic and prosthetics, giving it a strangely lifelike yet artificial quality. Surrounding this figure are piles of earth and scattered potatoes, creating a stark contrast between the industrial and the natural. The clear acrylic case itself suggests a scientific specimen or a preserved artifact, inviting close examination of its unusual contents. This work, created in 2002, challenges our perceptions of the body, nature, and the boundaries between them, presenting a scene that feels both ancient and distinctly contemporary.
- Artist
- Matthew Barney
- Date
- 2002
- Medium
- Internally lubricated plastic, cast urethane, cast thermoplastic, prosthetic plastic, stainless steel, acrylic, earth, and potatoes in polyethylene and acrylic vitrine
- Location
- Art Institute of Chicago
- Dimensions
- 152 × 185 × 201 cm (60 × 73 × 79 in.)
- Collection
- Contemporary Art
- Culture
- United States
- Credit line
- Claire and Gordon Prussian Fund for Contemporary Art, Charles H. and Mary F. Worcester, Mr. and Mrs. Frank G. Logan Purchase Prize, and Alonzo C. Mather Prize funds; purchased with funds provided by Barbara Bluhm-Kaul and Don Kaul; through prior acquistions of Mary and Leigh Block
What to Notice
Five details hide in plain sight. Here’s where to look.

The pale, almost translucent quality of the plastic figure's 'skin.'
The actual potatoes nestled amongst the earth inside the vitrine.
The way the clear acrylic case frames the entire arrangement.
The visible textures of cast urethane and thermoplastic in the figure.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Oonagh MacCumhail: The Case of the Entered Novitiate — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Barney
More works to explore
Beyond Barney: works from the same years.
Same era · 1980s–2010s
Unfinished painting
Keith Haring · 1989
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Kiki (Smith)
Chuck Close · 2000 · Art Institute of Chicago
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Untitled (Portrait of Ross in L.A.)
Félix González-Torres · 1991
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Near the Lagoon
Jasper Johns · 2002 · Art Institute of Chicago
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American Horizon
Jane Wooster Scott · 2000 · Art Institute of Chicago
Same era · 1980s–2010s
A Torso / Toxic Drawing
Romero Britto · 2011 · Art Institute of Chicago
Same era · 1980s–2010s
Wu Street
Xu Bing · 1993 · Art Institute of Chicago
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Foxgloves
Michele Elizabeth Field · 2004 · Oxford University Hospitals NHS Foundation Trust
Same era · 1980s–2010s
Cremaster 2: Deseret
Birgit Cullberg · 1999 · Art Institute of Chicago
Same era · 1980s–2010s
It's a New Age
William Hook · 1992 · Art Institute of Chicago
Same era · 1980s–2010s
Krach
Philip West · 1987 · Art Institute of Chicago
Same era · 1980s–2010s
Blood Pool
Kiki Smith · 1992 · Art Institute of Chicago

