DETAILS
- Artist
- Isidore Pils
- Date
- 1825
- Medium
- Red and white chalk on tracing paper (recto); black chalk (verso); pasted onto larger sheet; (verso visible through tracing paper)
- Location
- The Metropolitan Museum of Art
- Dimensions
- 17 x 9 3/4 in. (43.2 x 24.8 cm)
- Collection
- Drawings and Prints
- Credit line
- Purchase, Karen B. Cohen Gift, 1989
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through Drapery Study for Sainte-Clotilde (upper register); verso: Standing Soldier; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Isidore Pils
Isidore Pils, a French academic painter, captured everything from religious devotion to the intensity of battle and the grandeur of opera house ceilings.
KEEP EXPLORING
More works to explore
Beyond Pils: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Death on a pale horse
J. M. W. Turner · 1825 · National Gallery
Same era · 1810s–1840s
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
