DETAILS
- Artist
- Remigio Cantagallina
- Date
- 1608
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 7 3/4 × 10 1/2 in. (19.7 × 26.7 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Phyllis Massar, 2011
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through Sixth interlude: temple of peace (Intermedio sesto: tempio della pace), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Remigio Cantagallina
Remigio Cantagallina, an Italian etcher of the Baroque period, captured the world around him, from detailed cityscapes to the everyday lives of peasants.
KEEP EXPLORING
More works to explore
Beyond Cantagallina: works from the same years.
Same era · 1590s–1620s
The Capture of Samson
Peter Paul Rubens · 1609 · Art Institute of Chicago
Same era · 1590s–1620s
The Adoration of the Shepherds
El Greco · 1610
Same era · 1590s–1620s
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1590s–1620s
Kitchen Scene
Diego Velázquez · 1618 · Art Institute of Chicago
Same era · 1590s–1620s
Boy with a Lute
Frans Hals · 1620 · The Metropolitan Museum of Art
Same era · 1590s–1620s
The Feast in the House of Simon
El Greco (Doménikos Theotokópoulos) and workshop · 1608 · Art Institute of Chicago
Same era · 1590s–1620s
Winter Landscape with Snowfall near Antwerp
Jan Brueghel the Elder · 1610
Same era · 1590s–1620s
Flower Arrangements
Artist Unknown - The Mercat Cross, Aberdeen · 1595 · Art Institute of Chicago
Same era · 1590s–1620s
The Calling of Saint Matthew
Hendrick ter Brugghen · 1609 · Museum of Fine Arts, Budapest
Same era · 1590s–1620s
Peasant couple eating peas
Georges de La Tour · 1623 · Gemäldegalerie Berlin
Same era · 1590s–1620s
An Allegory of Fruitfulness
Jacob Jordaens · 1620 · Wallace Collection
Same era · 1590s–1620s
La Pratique de l'Aiguille, page 21 (recto)
Matthias Mignerak · 1605 · The Metropolitan Museum of Art
