DETAILS
- Artist
- Fernand Pelez
- Date
- 1904
- Location
- Musée des Beaux-Arts de la ville de Paris
ART MOVEMENTS
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through The Bite of Bread: man bent forward, hands in pockets — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Fernand Pelez
1848–1913 · FranceFrench painter who depicted society's outcasts with unflinching realism, then became a recluse after 1896.
EXPLORE THE MOVEMENT
More from Naturalism
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Young Woman
Millet · 1844 · Art Institute of Chicago
Wooded Landscape
Courbet · 1848 · Art Institute of Chicago
Souvenir of Tuscany
Corot · 1845 · Art Institute of Chicago
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Daumier · 1856 · The Metropolitan Museum of Art
KEEP EXPLORING
More works to explore
Beyond Pelez and Naturalism: works from the same years.
Same era · 1880s–1910s
Portrait of Natalia Goncharova
Mikhail Larionov · 1903
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same era · 1880s–1910s
Woman with a Helmet of Hair
Pablo Picasso · 1904 · Art Institute of Chicago
Same era · 1880s–1910s
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1880s–1910s
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1880s–1910s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same era · 1880s–1910s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1880s–1910s
Consolation
Edvard Munch · 1907 · Munch Museum
Same era · 1880s–1910s
Haystacks, Morning, Eragny
Camille Pissarro · 1899 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Jean Renoir Sewing
Pierre-Auguste Renoir · 1899 · Art Institute of Chicago
Same era · 1880s–1910s
Mademoiselle Nys
Henri de Toulouse-Lautrec · 1899 · The Metropolitan Museum of Art
