The Seven Deadly Sins and the Four Last Things

Hieronymus Bosch, 1500

LOCATIONMuseo del Prado

This circular panel by Hieronymus Bosch is a moralizing masterpiece, illustrating the seven deadly sins and the four last things (Death, Judgment, Heaven, and Hell), all observed by the watchful eye of Christ.

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ABOUT THIS WORK

Hieronymus Bosch's "The Seven Deadly Sins and the Four Last Things" is a fascinating circular panel painting from around 1500, now housed in the Museo del Prado. Unlike many of his more famous triptychs, this work presents a tabletop-like view, inviting viewers to ponder morality and judgment. Bosch, a Dutch painter from Brabant, was known for his fantastical illustrations of religious concepts, and this piece is a prime example of his unique vision within the Northern Renaissance. The painting serves as a moral compass, urging viewers to reflect on their own lives and the consequences of their actions, a common theme in his work, which often depicted macabre and nightmarish visions of hell. Philip II of Spain, a notable collector of Bosch's art, acquired this painting along with other significant works like "The Garden of Earthly Delights," ensuring its preservation and prominence in art history. Bosch's distinctive style, characterized by detailed figures and symbolic imagery, made him a highly individualistic artist whose profound insights into humanity's desires and fears continue to captivate audiences.

ART MOVEMENTS
Northern Renaissance
LOOK CLOSER

What to Notice

1

The central eye of God, watching humanity

2

Small scenes depicting each deadly sin

3

The four corner circles of 'Last Things'

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Audio Deep Dive

This circular panel by Hieronymus Bosch is a moralizing masterpiece, illustrating the seven deadly sins and the four last things (Death, Judgment, Heaven, and…

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THE ARTIST
Hieronymus Bosch 1450–1516 · Northern Low Countries

Hieronymus Bosch, a Dutch painter from the Northern Low Countries, filled his oak panels with fantastic illustrations of religious concepts, from the Garden of Eden to macabre depictions of hell.

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