“Stop to see this moving depiction of the Prodigal Son's return, a powerful scene of forgiveness rendered with exquisite detail and emotional depth, showcasing the refined Baroque style.”
In this painting, Adriaen van der Werff captures a pivotal moment from the biblical parable of the Prodigal Son. The scene unfolds with dramatic intensity, focusing on the son's return home, where his aged father embraces him warmly. The son, dressed in tattered clothes, kneels humbly, a stark contrast to the opulence suggested by the architecture and the father's rich garments. Van der Werff meticulously renders the textures, from the father's flowing red robe to the son's worn fabric, emphasizing the emotional weight of their reunion. The composition draws the eye to the central figures, while a younger brother and servants in the background observe the scene, setting the stage for the narrative's underlying themes of forgiveness and redemption. This work, created in 1717, showcases the refined, polished style characteristic of Baroque painting, with its clear forms and idealized figures, reflecting a shift from earlier Dutch naturalism towards more classical influences.
- Artist
- Adriaen van der Werff
- Date
- 1717
- Medium
- Oil on canvas
- Location
- Sanssouci Picture Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

The tattered clothes of the kneeling son, revealing his hardship.
The father's tender embrace and the look on his face.
The younger brother observing from the background, arms crossed.
The detailed classical architecture framing the emotional reunion.
1 more detail is waiting.
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Adriaen van der Werff
1659–1722 · Dutch RepublicAdriaen van der Werff, a Dutch master, rose from Rotterdam to become court painter to the Elector Palatine, captivating European royalty with his refined Baroque scenes.
Further Works by van der Werff
Venus and Cupid
1684 · Vizcaya Museum and Gardens
Venus and Cupid
1699 · Gemäldegalerie Alte Meister
Shepherd and shepherdess
1706 · Galleria Sabauda
The Annunciation
1706 · Bavarian State Painting Collections
Adam and Eve
1711 · Herzog Anton Ulrich Museum
Penitent Magdalene
1712 · Gemäldegalerie Berlin
Venus and Cupid
1716 · Czartoryski Museum
Tancred's servant presenting the heart of Guiscard in a golden cup to Guismond
1678 · Fitzwilliam Museum
More works to explore
Beyond van der Werff: works from the same years.
Same era · 1700s–1730s
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William Hogarth · 1725 · The Metropolitan Museum of Art
Same era · 1700s–1730s
Two Pieces of Embroidery
Philippe de la Salle · 1723 · Cleveland Museum of Art
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Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn..
Salomon Kleiner · 1725 · The Metropolitan Museum of Art
