“This lively print by William Hogarth plunges you into the satirical world of Samuel Butler's Hudibras, capturing a moment of mock-heroic chaos as the protagonist sets out on his absurd adventures.”
In this chaotic scene, a man on horseback, Sir Hudibras, rides forth with a determined if slightly ridiculous expression, his oversized sword clanking beside him. He is the central figure in Samuel Butler's satirical poem, a mock-heroic tale lampooning Puritan hypocrisy during the English Civil War. Here, the artist captures the poem's blend of high drama and low comedy, surrounding Hudibras with a cast of characters who seem to mock his grand intentions. A woman in the foreground gestures dramatically, while a dog barks at the horse's heels, adding to the general pandemonium. The composition, bustling with figures and activity, draws the viewer into the narrative, making us witnesses to Hudibras's ill-fated adventures. This print is one of twelve large illustrations for the poem, demonstrating the artist's early engagement with narrative and social commentary.
- Artist
- William Hogarth
- Date
- 1725
- Medium
- Etching and engraving; second state of three
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 9 13/16 x 13 1/16 in. (25 x 33.2 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1932
What to Notice
Four details hide in plain sight. Here’s where to look.

Hudibras's comically oversized sword and armor.
The woman's dramatic, perhaps mocking, gesture.
The small dog barking at the horse's hooves.
The man in the background, seemingly in a pillory.
Stand in front of it and listen
The full narration walks you through Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth": Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2 — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by Hogarth
More works to explore
Beyond Hogarth: works from the same years.
Same era · 1710s–1740s
Samuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731)
John Theodore Heins · 1729 · Corpus Christi College
Same era · 1710s–1740s
Venus and Cupid
Adriaen van der Werff · 1716 · Czartoryski Museum
Same era · 1710s–1740s
Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn..
Salomon Kleiner · 1725 · The Metropolitan Museum of Art
Same era · 1710s–1740s
Two Pieces of Embroidery
Philippe de la Salle · 1723 · Cleveland Museum of Art


