“This three-channel video installation reimagines the Western genre through a queer lens, using fragmented imagery and a shifting palette of black-and-white and color to explore themes of desire and displacement. It's an immersive experience that challenges conventional storytelling.”
Step into a dreamlike journey with Isaac Julien's “The Long Road to Mazatlán.” This three-channel video installation immerses you in a fragmented narrative, where scenes unfold across multiple screens simultaneously. You'll see figures, often solitary, navigating stark, expansive landscapes and intimate interiors. The interplay between black-and-white and color footage creates a powerful emotional resonance, shifting between a sense of longing and a vibrant, almost cinematic energy. The film draws inspiration from queer cinema and the Western genre, reinterpreting their conventions to explore themes of masculinity, desire, and displacement. The soundscape, an integral part of the experience, weaves through the visuals, drawing you deeper into the characters' inner worlds and their search for connection. This work challenges traditional storytelling, inviting you to piece together meaning from its evocative imagery and suggestive atmosphere.
- Artist
- Isaac Julien
- Date
- 1999
- Medium
- 16mm black-and-white and color film, sound, transferred to three-channel digital video (rear projection on screen); 17:44 min. loop
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the film shifts between black-and-white and color footage
How the same scene sometimes appears on multiple screens at once
The use of wide, open landscapes that evoke the American West
Details in the characters' clothing, hinting at cowboy attire
1 more detail is waiting.
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