“Stop to appreciate this charming 1813 print, where a painter and his "favourite cat" share a moment of quiet connection, offering a glimpse into domestic life through intricate etching and mezzotint details.”
In this charming print, a portly gentleman, presumably the "De La-Tour Painter" of the title, sits comfortably, his attention entirely absorbed by a cat perched on his lap. The cat, with its wide, alert eyes, gazes out at the viewer, seemingly unfazed by the painter's focused intensity. This intimate scene, rendered in a combination of etching, engraving, and mezzotint, captures a moment of quiet domesticity. The artist, John Kay, often depicted everyday life and local characters in Edinburgh, and here he offers a glimpse into the personal world of an individual, perhaps even a fellow artist, and his beloved pet. The detailed rendering of the textures, from the painter's ruffled collar to the cat's fur, draws the eye into their shared space, suggesting a bond between human and animal.
- Artist
- John Kay
- Date
- 1813
- Medium
- Etching, engraving and mezzotint
- Location
- The Metropolitan Museum of Art
- Dimensions
- sheet: 4 5/8 x 6 in. (11.8 x 15.3 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1917
What to Notice
Five details hide in plain sight. Here’s where to look.

The cat's direct gaze, looking straight out at you.
The painter's concentrated expression as he holds the cat.
The intricate ruffles on the painter's shirt collar.
The subtle shading that gives the cat's fur a soft texture.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through The Favourite Cat and De La-Tour Painter — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
John Kay
British artist (active 1609)
More works to explore
Beyond Kay: works from the same years.
Same era · 1790s–1820s
Snow Storm: Hannibal and his Army Crossing the Alps
J. M. W. Turner · 1812 · National Gallery
Same era · 1790s–1820s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same era · 1790s–1820s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same era · 1790s–1820s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1790s–1820s
Joseph-Antoine Moltedo (born 1775)
Jean-Auguste-Dominique Ingres · 1805 · The Metropolitan Museum of Art
Same era · 1790s–1820s
Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same era · 1790s–1820s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1790s–1820s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1790s–1820s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1790s–1820s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1790s–1820s
George, 1st Earl of Onslow (1731-1814)
Thomas Stewardson · 1813 · National Trust
Same era · 1790s–1820s
James Asperne (1737–1820)
Samuel Drummond · 1813 · Museum of Freemasonry
