“This powerful "Entombment of Christ" draws you into a moment of profound grief and devotion, masterfully using light and shadow to heighten the drama of the scene. It's a prime example of Baroque religious art, designed to evoke deep emotional response.”
In this poignant scene, Christ's body, pale and lifeless, is carefully lowered into a tomb carved from rock. The figures surrounding him are consumed by grief, their faces etched with sorrow. Mary Magdalene, identifiable by her long flowing hair, cradles Christ's feet, her devotion palpable. The composition uses a dramatic contrast between the illuminated figures and the deep shadows of the cave, drawing the viewer's eye to the central act of entombment. This work, created in 1712, exemplifies the Baroque movement's emphasis on emotional intensity and theatricality in religious art. The artist, Adriaen van der Werff, was highly regarded in his time, even serving as court painter for the Elector Palatine, Johann Wilhelm, who owned a significant collection of his works.
- Artist
- Adriaen van der Werff
- Date
- 1712
- Medium
- Oil on canvas
- Location
- Museum Boijmans Van Beuningen
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the delicate rendering of Christ's skin, almost translucent against the dark background.
Note the tear tracks on Mary Magdalene's face as she kneels by Christ's feet.
See the subtle glow on the faces of the figures, suggesting a light source just out of frame.
Look at the intricate drapery of the garments, especially the folds of the white shroud.
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Adriaen van der Werff
1659–1722 · Dutch RepublicAdriaen van der Werff, a Dutch master, rose from Rotterdam to become court painter to the Elector Palatine, captivating European royalty with his refined Baroque scenes.
Further Works by van der Werff
Venus and Cupid
1684 · Vizcaya Museum and Gardens
Venus and Cupid
1699 · Gemäldegalerie Alte Meister
Shepherd and shepherdess
1706 · Galleria Sabauda
The Annunciation
1706 · Bavarian State Painting Collections
Adam and Eve
1711 · Herzog Anton Ulrich Museum
Penitent Magdalene
1712 · Gemäldegalerie Berlin
Venus and Cupid
1716 · Czartoryski Museum
Tancred's servant presenting the heart of Guiscard in a golden cup to Guismond
1678 · Fitzwilliam Museum
More works to explore
Beyond van der Werff: works from the same years.
Same era · 1690s–1720s
Baskets with Flowers of the Four Seasons
Artist Unknown - The Mercat Cross, Aberdeen · 1701 · Art Institute of Chicago
Same era · 1690s–1720s
Hudibras' First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3)
William Hogarth · 1725 · The Metropolitan Museum of Art
Same era · 1690s–1720s
Mary, Queen of Scots (from "Histoire d'Angleterre, d'Ecosse et d'Irlande," volume 1)
Pieter van Gunst · 1697 · The Metropolitan Museum of Art
Same era · 1690s–1720s
Two Pieces of Embroidery
Philippe de la Salle · 1723 · Cleveland Museum of Art
Same era · 1690s–1720s
Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn..
Salomon Kleiner · 1725 · The Metropolitan Museum of Art
Same era · 1690s–1720s
Self Portrait
John Theodore Heins · 1726 · Norfolk Museums Collections
