“Step back in time to 1852 with this unique photograph, which captures an array of other photographs. It's an early example of the medium documenting itself, showcasing the experimental spirit of photography's beginnings.”
This early photograph, titled "Productions of the Leeds Photographic Society," offers a fascinating glimpse into the nascent world of photography. What you see is essentially a still life of other photographs, a kind of meta-image. The composition features a collection of framed salted paper prints, arranged on what appears to be a draped surface, perhaps a velvet cloth, with a few unframed prints casually leaning or scattered. The varying sizes and orientations of the framed works suggest an informal display, perhaps for an exhibition or a society meeting. The subtle shifts in tone and texture across the different prints within this image highlight the experimental nature of photography in 1852. This work by T. Dixon isn't just a record of early photographic efforts; it's a testament to the medium's self-awareness, capturing a moment when photographers were already beginning to document their own creations and processes.
- Artist
- T. Dixon
- Date
- 1852
- Medium
- Salted paper prints
- Location
- The Metropolitan Museum of Art
- Collection
- Photographs
- Credit line
- The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
What to Notice
Five details hide in plain sight. Here’s where to look.

Look closely at the various tones and textures visible in the individual framed photographs.
Notice the slight curling on the edges of the unframed prints in the foreground.
Observe the subtle sheen on the surface of the framed photographs, indicating glass.
See how the light falls unevenly, creating shadows that give depth to the arrangement.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Productions of the Leeds Photographic Society — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
More works to explore
Beyond Dixon: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Wordsworth Manor
William Hart · 1852
Same era · 1830s–1860s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
A Sketch
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
