“Stop and observe this striking brass head from the Kingdom of Benin. Its intricate details and powerful form tell a story of royal ancestry and spiritual connection, inviting you to reflect on enduring legacies.”
This powerful brass head, known as an Uhunmwun Elao, commands attention with its imposing presence. The elaborate details, from the beaded collar to the intricate patterns on the cap, signify the high status of the individual it represents. Such heads were central to ancestral altars in the Kingdom of Benin, serving as a focal point for rituals and remembrance. They commemorated deceased obas (kings) and queen mothers, embodying their spiritual power and ensuring their continued influence. The weight and permanence of the brass underscore the enduring legacy of the ruler, connecting past, present, and future generations. Though the specific identity of the individual depicted here is unknown, the artistry speaks volumes about the rich cultural and historical traditions of the Edo people.
- Artist
- unknown composer author
- Date
- 1701
- Medium
- Brass
- Location
- Art Institute of Chicago
- Dimensions
- 34.3 × 23.5 × 26.1 cm (13 1/2 × 9 1/4 × 10 1/4 in.)
What to Notice
Four details hide in plain sight. Here’s where to look.

The elaborate beaded collar, indicating high rank.
The intricate patterns on the cap, likely coral beads.
The serene yet powerful expression on the face.
The textured surface of the brass, especially on the face.
unknown composer author
A placeholder for the countless hands that shaped history without leaving a name behind.
Further Works by author
More works to explore
Beyond author: works from the same years.
Same era · 1680s–1710s
Baskets with Flowers of the Four Seasons
Artist Unknown - The Mercat Cross, Aberdeen · 1701 · Art Institute of Chicago
Same era · 1680s–1710s
Venus and Cupid
Adriaen van der Werff · 1699 · Gemäldegalerie Alte Meister
Same era · 1680s–1710s
Mary, Queen of Scots (from "Histoire d'Angleterre, d'Ecosse et d'Irlande," volume 1)
Pieter van Gunst · 1697 · The Metropolitan Museum of Art
Same era · 1680s–1710s
The Elephant, from The Berain Grotesques Series
Jean-Baptiste Monnoyer · 1688 · Art Institute of Chicago


